Produção Nacional
A alma, o olho, a mão ou o uso da autobiografia no teatro
2013; School of Communications and Arts of the University of São Paulo; Volume: 13; Issue: 2 Linguagem: Inglês
10.11606/issn.2238-3867.v13i2p72-85
ISSN2238-3867
Autores Tópico(s)Brazilian cultural history and politics
ResumoThe text establishes a connection between the figure of the narrator, according to Walter Benjamin, and actors/performers who create their own pieces from an autobiographical material; a connection between the experience shared by narrator/performer and listener/audience. In order to contextualize this discussion, I present the work of the american performer Spalding Gray, a reference when one thinks about the use of autobiography.
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