You Keep Coming Back Like A Song: Adult Audiences, Taste Panics, and the Idea of the Standard
2001; Wiley; Volume: 13; Issue: 1 Linguagem: Inglês
10.1111/j.1533-1598.2001.tb00011.x
ISSN1533-1598
Autores Tópico(s)Humor Studies and Applications
ResumoJournal of Popular Music StudiesVolume 13, Issue 1 p. 7-40 You Keep Coming Back Like A Song: Adult Audiences, Taste Panics, and the Idea of the Standard Keir Keightley, Keir Keightley University of Western OntarioSearch for more papers by this author Keir Keightley, Keir Keightley University of Western OntarioSearch for more papers by this author First published: 26 August 2006 https://doi.org/10.1111/j.1533-1598.2001.tb00011.xCitations: 35AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat WORKS CITED Acland, Charles. 1994. Youth, Murder, Spectacle. Boulder , CO : Westview. Google Scholar Adorno, Theodor. 1990. " On Popular Music," in On Record: Rock, Pop, and the Written Word, edited by S. Frith and A. Goodwin, 301–314. London : Routledge. [first published 1941]. Google Scholar "Adult Disks Grow to Man-Sized Industry: Never Has So Much in Grown-Up Fare Been Offered; Pop Records Still Solid." 1954. Billboard (September 25): 1, 14. Google Scholar "Adult Selections Boost Collections." 1962. Billboard Music Week (May 12): 52. Google Scholar Ager, Cecelia. 1937. " Swing Dancing." Variety (January 6): 188. Google Scholar Ballard, Pat. 1954. " History Repeating." Variety (June 30): 42. Google Scholar "Berlin Waxes Lyrical About 'Steady' Songs." 1948. Variety (March 10): 1, 63. Google Scholar Berliner, Paul. 1994. Thinking In Jazz. Chicago : University of Chicago Press. 10.7208/chicago/9780226044521.001.0001 Google Scholar "Bobbysoxers, Booze Can't Mix But Pitt Club Op Solves Problem." 1948. Variety (March 10): 43. Google Scholar Bourdieu, Pierre. 1993. The Field of Cultural Production (edited by Johnson Randal). New York : Columbia University Press. Google Scholar Bundy, June. 1961a. "Air Dogfight Continues to Rage. Billboard Music Week (August 14): 1, 50. Google Scholar Bundy 1961b. "Vintage Disks Stealing Show. Billboard Music Week (April 17): 1, 8. Google Scholar "Capitol K.O.'s Band Singles." 1955. Variety (December 21): 36. Google Scholar Chudacoff, Howard P. 1989. How Old Are You? Age Consciousness in American Culture. Princeton , NJ : Princeton University Press. 10.1515/9780691221267 Google Scholar "Cole Wary of Disk Juve 'Exclusivity'; Need Adult Fans." 1953. Variety (December 30): 43. Google Scholar Connelly, Reg. 1949. "This Surprising Song Business. Variety (January 5): 173, 198. Google Scholar Dexter, Dave, Jr. 1952. " Have Gimmicks Replaced Music?'Sounds' Made Hits for 25 Years." Billboard (August 2): 53. Google Scholar "Diskers Watch Exploding Birthrate as Index to $15,000,000 Juve Market." 1954. Variety (March 31): 1. Google Scholar Early, Gerald. 1991. "One Nation Under a Groove. New Republic 15 (July): 30–41. Google Scholar Erenberg, Lewis A. 1998. Swingin' the Dream: Big Band Jazz and the Rebirth of American Culture. Chicago : University of Chicago Press. 10.7208/chicago/9780226215181.001.0001 Google Scholar Ewen, David. 1964. The Life and Death of Tin Pan Alley: The Golden Age of American Popular Music. New York : Funk and Wagnalls. Google Scholar Forte, Allen. 1995. The American Popular Ballad of the Golden Era. Princeton , NJ : Princeton University Press. Google Scholar Gavin, James. 1992. Intimate Nights. New York : Da Capo. Google Scholar Gilbert, James. 1986. A Cycle of Outrage: America's Reaction to the Juvenile Delinquent in the 1950s. New York : Oxford University Press. Google Scholar Goldberg, Isaac. 19301961. Tin Pan Alley. New York : Frederick Ungar. Google Scholar Gracyk, Theodore. 1996. Rhythm and Noise: An Aesthetics of Rock. Durham , NC : Duke University Press. Google Scholar "Gradual Shift to 'Good Music' Creates Quandry for Pop Labels." 1961. Billboard Music Week (August 21): 1, 35. Google Scholar "Great Year for Good Songs: Top Rock 'n' Roll, Novelty Clicks." 1955. Variety (December 7): 1, 71. Google Scholar Green, Abel. 1934. " Disk Reviews." Variety (October 23): 47. Google Scholar Green, Abel. 1937. " Disk Reviews." Variety (January 13): 48. Google Scholar Green, Abel. 1951. " The Music Biz's Frankenstein." Variety (August 1): 37. Google Scholar Green, Abel. 1954. " Mellow Music–-Choice Albums." Variety (August 4): 42. Google Scholar Hamm, Charles. 1983. Yesterdays: Popular Song in America. New York : Norton. Google Scholar "Heavy Disk Workout of Oldies Cues Concern for 'New Standards': Dunn." 1959. Variety (March 25): 59. Google Scholar "High-Brow, Low-Brow, Middle-Brow." 1949. Life (April 11): 99–102. Google Scholar "Hokey Tunes 'Bug' Frank." 1953. Downbeat. [Reprinted in Downbeat, February 1994: 32.]. Google Scholar Hyland, William G. 1995. The Song Is Ended: Songwriters and American Music, 1900–1950. New York : Oxford University Press. Google Scholar "Inside Stuff–-Music." 1953. Variety (September 2): 42. Google Scholar "Inside Stuff–-Music." 1953. Variety (December 16): 45. Google Scholar "It's Smart to Chum with the Pro Party Entertainers." 1930. Variety (November 26): 46. Google Scholar "Jack Mills Decries 'Will o' the Wisp' Hits, Urges Building of Catalogs." 1952. Variety (May 28): 43. Google Scholar "KOOL Disk Jockeys Deny Station Banned 'I'm A Rollin'' Disk." 1954. Variety (December 22): 43. Google Scholar "Latin Quarter, Boston." 1953. Variety (February 4): 54. Google Scholar Levine, Lawrence W. 1988. Highbrow/Lowbrow. Cambridge , MA : Harvard University Press. Google Scholar "Liner Notes." 1991. Billie Holiday: The Complete Decca Recordings. MCA. (audio recording). Google Scholar Lynes, Russell. 1949. " Highbrow, Lowbrow, Middlebrow." Harper's (February): 19–28. Google Scholar Mac Donald, Dwight. 1958. " A Caste, A Culture, A Market, Part II." New Yorker (November 29): 57–107. Google Scholar "Major Pubs, Diskers Must Readjust Aim to Keep Step with Public 'Rhythm.'" 1948. Variety (May 5): 1, 68. Google Scholar Martin, Linda, and Kerry Segrave. 1993. Anti-Rock: The Opposition to Rock 'n' Roll. New York : Da Capo. [First published.in 1988]. Google Scholar "Melody, Solid Approach Lacking in Today's Songs; Future Blue, Sez Marek." 1951. Variety (August 22): 55. Google Scholar Meyer, Hazel. 1958. The Gold in Tin Pan Alley. Philadelphia : Lippincott. Google Scholar Miège, Bernard. 1989. The Capitalization of Cultural Production (translated by Hay Josiane and Garnham Nicholas). New York : International General. Google Scholar Millard, Andre. 1995. America On Record: A History of Recorded Sound. New York : Cambridge University Press. Google Scholar "'More Adult' Pix Key to Top Coin: Johnston's Plea to Coast Execs; MPAA Prexy Sounds Off After Tour of H'wood Film Studios." 1949. Variety (March 9): 1, 24. Google Scholar "More Stations Switch with Sinatra Wax." 1962. Billboard Music Week (March 24): 30. Google Scholar "Music Biz 'Gimmick' Era At End? Hit List Shows Song's the Thing." 1953. Variety (April 22): 41. Google Scholar "Never A Dull Moment." 1953. Variety (January 7): 4. Google Scholar "New Sound Adds New Life to Catalog Sets: Growing Number of Firms Re-Processing Stereo Shows Old Album Power." 1962. Billboard Music Week (January 6): 5. Google Scholar "Non-Rock and Roll Single Action May Be Stirring Young Adult Disk Market." 1961. Billboard Music Week (October 30): 2. Google Scholar Norton, Florence. 1951. " Farewell to Good Music." American Mercury (July): 110–116. Google Scholar "Novelty-Type Vocal Disks Seen on Way Out as Oldie Standards Climb." 1950. Variety (July 19): 43. Google Scholar "N.Y. Nightclub to Test Youngster Matinees." 1948. Variety (April 14): 1. Google Scholar Pallan, Art. 1954. " Songs That Refuse to Die." Good Housekeeping (January): 13. Google Scholar Paymer, Marvin E. 1993. Facts Behind the Songs. New York : Garland. Google Scholar "Payoff on Old Tunes Rises." 1939. Variety (July 26): 41. Google Scholar Peterson, Richard A. 1994. " Measured Markets and Unknown Audiences: Case Studies from the Production and Consumption of Music" in Audiencemaking: How the Media Create the Audience, edited by J. S. Ettema and D. C. Whitney, 171–185. Thousand Oaks , CA : Sage. Google Scholar "Pickwick's Adult Design for Low-Priced LP's with Roy Freeman A&R Chief." 1957. Variety (October 23): 57. Google Scholar "Quick-Hit Disks Vs. Sudden Death N.G. for Music Biz–-Col Toppers." 1951. Variety (August 15): 45. Google Scholar "Radio Fanfare for Big Band Revival." 1962. Billboard Music Week (May 12): 8. Google Scholar "Radio Reviews–-Bob Zurke Orchestra, with Claire Martin." 1939. Variety (July 26): 36. Google Scholar "RCA's Big Dance Band Hoopla." 1950. Variety (February 15): 37. Google Scholar Rolontz, Bob. 1961. "New Wave Comics Sparkle on LP's With Special Appeal to Young Adults. Billboard Music Week (November 20): 13, 19. Google Scholar Rolontz, Bob. 1962. "Broadcasters Move to Soft Formats Producing 2 Distinct Music Trends. Billboard Music Week (February 24): 4, 18. Google Scholar Sanjek, Russell. 1983. From Print to Plastic. Brooklyn , NY : I.S.A.M. Google Scholar Sanjek, Russell. and Sanjek, David. 1991. American Popular Music Business in the 20th Century. Oxford : Oxford University Press. Google Scholar Schickel, Richard. 1958. " The Big Revolution in Records." Look (April 15): 26–35. Google Scholar Schoenfield, Herm. 1953. " ASCAP 'From Dixie' as BMI Clicks in Tin Pan Alley." Variety (January 7): 223. Google Scholar Schoenfield, Herm. 1957. " New 'Ballads for Americans': Bestsellers Be Hanged: Radio." Variety (July 17): 43. Google Scholar Schoenfield, Herm. 1957. " Album Reviews–-Lena Home Stormy Weather." Variety (August 28): 44. Google Scholar Shaw, Arnold. 1953. " Sex-Vex-Wrecks Supersedes June-Spoon-Moon." Variety (January 7): 222. Google Scholar Shaw, Arnold. 1974. The Rockin' ′50s: The Decade that Transformed the Pop Music Scene. New York : Hawthorn Books. Google Scholar Simon, George. 1953. " Sincerity's a Thing Called Frank." Metronome (December): 14–15. Google Scholar Simon, George. 1971. Simon Says: The Sights and Sounds of the Swing Era, 1935–1955. New Rochelle , NY : Arlington House. Google Scholar Sinker, Mark. 1992. "Can I Be Frank … The Wire 103 (September): 30, 32–35, 77. Google Scholar "Teen-Age Market: It's Terrif." 1946. Business Week (June 8): 72, 74–76. Google Scholar "Theater, Club Foldings Hurt Live-Act Mart: Niteries Off 35%; Combo Houses Now Virtually Extinct." 1954. Variety (January 2): 1, 10. Google Scholar "This Surprising Song Business." 1949. Variety (January 5): 173, 198. Google Scholar Webb, H. Brook. 1937. "The Slang of Jazz. American Speech 12(3): 179–184. 10.2307/452424 Google Scholar Weber, William. 1975. Music and the Middle Class. London : Croom Helm. Google Scholar Wilder, Alec. 1990. American Popular Song: The Great Innovators, 1900–1950 (edited and with an introduction by James T. Maher). New York : Oxford University Press. Google Scholar Wilson, John S. 1949. " Weston; What Became of Music?" Down Beat (December 30): 7. Google Scholar Witmer, Robert. 1995. " Standard," in New Grove Dictionary of Jazz, edited by B. Kernfeld, 1155. New York : St. Martin's. Google Scholar Woods, Bernie. 1948. " Jukes, Jocks, and Disks." Variety (August 4): 34. Google Scholar Citing Literature Volume13, Issue1March 2001Pages 7-40 ReferencesRelatedInformation
Referência(s)