Artigo Revisado por pares

German Documentary Film In 2007 Pages

2007; Routledge; Volume: 27; Issue: 3 Linguagem: Inglês

10.1080/01439680701443200

ISSN

1465-3451

Autores

David Culbert,

Tópico(s)

German History and Society

Resumo

Click to increase image sizeClick to decrease image size Notes 1 Originally published by Scribner's Sons; then in hardcover by Macmillan, and, since 1994, in paper by the University of California Press. 2 Charles Harpole, General Preface, xii, in Charles Musser, The Emergence of Cinema: the American screen to 1907 (Berkeley, CA, University of California Press, 1994 (1990)). 3 Frank Kessler, Sabine Lenk and Martin Loiperdinger, eds., KINtop: Jahrbuch zur Erforschung des fruehen Films (Frankfurt, Stroemfeld, 1992–2006). The final volume includes several comprehensive indexes, 235–96. 4 Pages 430–437. 5 Pages 454–459. 6 Pages 462–467. See First World War U-Boat: Der magische Gürtel (The Enchanted Circle) (1917), presentation set published by Lloyd's Register on behalf of the Imperial War Museum, London, 2000; ISBN: 1-90083-996-2, a project of Roger Smither. The beautifully illustrated guide accompanying the video is 211 pages. 7 Still being cited as authoritative in some circles are such books as Robert Edwin Herzstein, The War That Hitler Won: Goebbels and the Nazi media campaign (New York, Paragon, 1987) or David Stewart Hull, Film in the Third Reich: a study of the German cinema 1933–1945 (Berkeley, CA, University of California Press, 1969). 8 Hans Georg Hiller von Gaetringen (ed.) Das Auge des Dritten Reiches: Hitlers Kamermann und Fotograf Walter Frentz (Munich, Deutscher Kunstverlag, 2006). 9 Page 203; for Der Sieg des Glaubens, 207–210. 10 Zimmermann, 565–567; Hoffmann, 625–626. Zimmermann uses a photograph from the Party Rally in 1933 to describe Riefenstahl's direction in 1934 (p. 514); he curiously neglects her Tag der Freiheit—Unsere Wehrmacht (1935), mentioned barely in passing (pp. 511, 518). To this film's title is added an extraneous exclamation point in her entry on p. 807. 11 Pages 706; 700–701. The Hippler film is Beiderseits der Rollbahn. 12 Page 701.

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