Dancing out the Difference: Cultural Imperialism and Ruth St. Denis's "Radha" of 1906
1991; University of Chicago Press; Volume: 17; Issue: 1 Linguagem: Inglês
10.1086/494712
ISSN1545-6943
Autores Tópico(s)Asian Studies and History
ResumoPrevious articleNext article No AccessDancing out the Difference: Cultural Imperialism and Ruth St. Denis's "Radha" of 1906Jane DesmondJane DesmondPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Signs Volume 17, Number 1Autumn, 1991 Article DOIhttps://doi.org/10.1086/494712 Views: 67Total views on this site Citations: 44Citations are reported from Crossref Copyright 1991 The University of ChicagoPDF download Crossref reports the following articles citing this article:Shanti Pillai Kafka's Ape Meets the Natyashastra, Arts 12, no.44 (Aug 2023): 173.https://doi.org/10.3390/arts12040173Irene López Arnaiz Living Archive. 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Un artefacto colonial // The invention of oriental dancers. A colonial device, Journal of Feminist, Gender and Women Studies , no.66 (Jul 2018).https://doi.org/10.15366/jfgws2017.6.006SanSan Kwan When Is Contemporary Dance?, Dance Research Journal 49, no.33 (Dec 2017): 38–52.https://doi.org/10.1017/S0149767717000341Carrie J. 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Kolb A Dança de Mata Hari no Contexto da Feminilidade e do Exotismo, Mandrágora 15, no.1515 (Dec 2009): 68–79.https://doi.org/10.15603/2176-0985/mandragora.v15n15p68-79Matthew Atencio, Jan Wright 'Ballet it's too whitey': discursive hierarchies of high school dance spaces and the constitution of embodied feminine subjectivities, Gender and Education 21, no.11 (Jan 2009): 31–46.https://doi.org/10.1080/09540250802213123Matthew Atencio 'Freaky is just how I get down': investigating the fluidity of minority ethnic feminine subjectivities in dance, Leisure Studies 27, no.33 (Jul 2008): 311–327.https://doi.org/10.1080/02614360802018780 Introduction, (Jan 2008): 1–17.https://doi.org/10.1215/9780822390695-001 "Little Black Me", (Jan 2008): 19–55.https://doi.org/10.1215/9780822390695-002 Letting the Flesh Fly, (Jan 2008): 56–91.https://doi.org/10.1215/9780822390695-003 "Egyptian Beauties" and "Creole Queens", (Jan 2008): 92–127.https://doi.org/10.1215/9780822390695-004 The Cakewalk Business, (Jan 2008): 128–155.https://doi.org/10.1215/9780822390695-005 Everybody's Doing It, (Jan 2008): 156–188.https://doi.org/10.1215/9780822390695-006 Babylon Girls, (Jan 2008): 189–237.https://doi.org/10.1215/9780822390695-007 Translocations, (Jan 2008): 238–279.https://doi.org/10.1215/9780822390695-008 Conclusion, (Jan 2008): 280–284.https://doi.org/10.1215/9780822390695-009 Notes, (Jan 2008): 285–311.https://doi.org/10.1215/9780822390695-010 Bibliography, (Jan 2008): 313–332.https://doi.org/10.1215/9780822390695-011Andrea Deagon Almée or Salomé?: Hybrid Dances of the East, 1890–1930, Congress on Research in Dance Conference Proceedings 39, no.S1S1 (Jan 2013): 36–46.https://doi.org/10.1017/S2049125500000091VIRGINIA KEFT-KENNEDY 'How does she do that?' 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Reed THE POLITICS AND POETICS OF DANCE, Annual Review of Anthropology 27, no.11 (Oct 1998): 503–532.https://doi.org/10.1146/annurev.anthro.27.1.503Janet Davis Spectacles of South Asia at the American circus, 1890–1940, Visual Anthropology 6, no.22 (Jan 1993): 121–138.https://doi.org/10.1080/08949468.1993.9966611
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