Portal de Periódicos da CAPES

The Moral of the Story

2007; University of Chicago Press; Volume: 34; Issue: 1 Linguagem: Inglês

10.1086/526086

1539-7858

Candace Vogler,

Modern American Literature Studies

Previous articleNext article No AccessThe Moral of the StoryCandace Vogler Candace Vogler PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 34, Number 1Autumn 2007 Article DOIhttps://doi.org/10.1086/526086 Views: 316Total views on this site Citations: 21Citations are reported from Crossref © 2007 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Nora Hämäläinen Wolf Hall and moral personhood, Ethics & Bioethics 9, no.3-43-4 (Dec 2019): 197–207.https://doi.org/10.2478/ebce-2019-0021Sonam Kachru After the Unsilence of the Birds: Remembering Aśvaghoṣa's Sundarī, Journal of Indian Philosophy 47, no.22 (Mar 2019): 289–312.https://doi.org/10.1007/s10781-019-09392-3Aurélien Maignant Juger de la fiction, Poétique n° 184, no.22 (Oct 2018): 181–194.https://doi.org/10.3917/poeti.184.0181Antonio Ghezzi, Eileen Lavezzari Story-Telling and Narrative: Alternative Genres Linking IS Publication and Practice, (Jun 2017): 31–52.https://doi.org/10.1007/978-3-319-62386-3_2Frances Ferguson Now It's Personal: D. A. Miller and Too-Close Reading Frances Ferguson, Critical Inquiry 41, no.33 (Jun 2015): 521–540.https://doi.org/10.1086/680084Jeff Frank James Baldwin's 'Everybody's Protest Novel': Educating our responses to racism, Educational Philosophy and Theory 46, no.11 (Aug 2013): 24–31.https://doi.org/10.1111/j.1469-5812.2011.00776.xJoshua Landy Formative Fictions: Imaginative Literature and the Training of the Capacities, Poetics Today 33, no.22 (Jun 2012): 169–216.https://doi.org/10.1215/03335372-1586581Tommie Shelby The Ethics of Uncle Tom's Children Tommie Shelby, Critical Inquiry 38, no.33 (Jul 2015): 513–532.https://doi.org/10.1086/664549By Daniel Morgan Max Ophuls and the Limits of Virtuosity: On the Aesthetics and Ethics of Camera Movement Daniel Morgan, Critical Inquiry 38, no.11 (Jul 2015): 127–163.https://doi.org/10.1086/661646 By Robert B. Pippin Agency and Fate in Orson Welles's The Lady from Shanghai Robert B. Pippin, Critical Inquiry 37, no.22 (Jul 2015): 214–244.https://doi.org/10.1086/657291 Introduction, (Jan 2011): 1–21.https://doi.org/10.1215/9780822394716-001 Cruel Optimism, (Jan 2011): 23–49.https://doi.org/10.1215/9780822394716-002 Intuitionists, (Jan 2011): 51–93.https://doi.org/10.1215/9780822394716-003 Slow Death (Obesity, Sovereignty, Lateral Agency), (Jan 2011): 95–119.https://doi.org/10.1215/9780822394716-004 Two Girls, Fat and Thin, (Jan 2011): 121–159.https://doi.org/10.1215/9780822394716-005 Nearly Utopian, Nearly Normal, (Jan 2011): 161–189.https://doi.org/10.1215/9780822394716-006 After the Good Life, an Impasse, (Jan 2011): 191–222.https://doi.org/10.1215/9780822394716-007 On the Desire for the Political, (Jan 2011): 223–263.https://doi.org/10.1215/9780822394716-008 Notes, (Jan 2011): 269–301.https://doi.org/10.1215/9780822394716-009 Bibliography, (Jan 2011): 303–326.https://doi.org/10.1215/9780822394716-010Walt Hunter Kathy Acker and the Ethics of Frivolity, Studies in American Humor 24 (Jan 2011): 83–104.https://doi.org/10.2307/42573630