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Olhares de Miguel Torga e de outros escritores portugueses sobre a pintura espanhola (Goya e Picasso)

2010; Routledge; Volume: 11; Issue: 3 Linguagem: Inglês

10.1179/174582010x12659827459149

1745-820X

Dora Nunes Gago,

Visual Culture and Art Theory

AbstractIn this article, references to two Spanish painters (Goya and Picasso) in works by Miguel Torga are analysed, more particularly those in Iberian Poems and his Diary (consisting of sixteen volumes written between 1932 and 1993). Approache s to the same two painters by two other Portuguese writers, Mário de Sá-Carneiro and Jorge de Sena, are also examined. The analysis of this material enables us to see how far the authors' images of these painters and their work reflect their general attitudes to art, the world, and life.In this article, references to two Spanish painters (Goya and Picasso) in works by Miguel Torga are analysed, more particularly those in Iberian Poems and his Diary (consisting of sixteen volumes written between 1932 and 1993). Approache s to the same two painters by two other Portuguese writers, Mário de Sá-Carneiro and Jorge de Sena, are also examined. The analysis of this material enables us to see how far the authors' images of these painters and their work reflect their general attitudes to art, the world, and life.Neste artigo, analisamos as referências a dois pintores espanhóis (Goya e Picasso) na obra de Miguel Torga, particularmente em Poemas Ibéricos e no Diário (constituído por dezasseis volumes escritos entre 1932 e 1993). Além disso, analisaremos a recepção dos dois pintores supramencionados na obra de outros dois escritores portugueses: Jorge de Sena e Mário de Sá-Carneiro. Deste modo, através das referências encontradas, veremos de que modo a imagem destes pintores e da sua obra reflectem as concepções gerais da arte, do mundo e da vida, preconizadas por estes autores.Keywords: TORGAPAINTINGLITERATUREGOYAPICASSOSENASÁ-CARNEIROMODERNISM