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Scamander and the Rivers of Hades in Homer

1999; Johns Hopkins University Press; Volume: 120; Issue: 4 Linguagem: Inglês

10.1353/ajp.1999.0049

1086-3168

Catriona Mackie,

Maritime and Coastal Archaeology

Scamander and the Rivers of Hades in Homer C. J. Mackie At odyssey 10.488–95, in response to Odysseus' request that he and his men leave her island, Circe states that they must venture to Hades to consult with the Theban seer Teiresias. She gives Odysseus some basic instructions on how to get there and what to do there (10.504–40): he should cross Ocean and beach his ship where there is a remote coastline and a grove of Persephone. He should then go himself to the house of Hades, where he should dig a pit and pour a libation. The location of Hades in the passage is further identified as a meeting point of four separate rivers: Acheron, Pyriphlegethon, Cocytus, and Styx: (10.513–15) There into Acheron flow Pyriphlegethon and Cocytus, which is a branch of the water of Styx, and there is a rock, and the junction of the two resounding rivers. The presence of a river, or a prominent body of water, characterizes the topography of the Underworld in many traditions, and Homer's Hades is no exception. Even though the Underworld in Homer is not really very clearly defined (indeed in Odyssey 10 and 11 it is scarcely "under" at all), one can at least say that rivers and gates are typical features of its landscape. Thus in the Iliad when Patroclus' apparition complains about Achilles' tardiness in conducting a funeral for him, it is specifically gates , 74) and a river (, 73) that he mentions as characteristics of Hades.1 Equally noteworthy is that no name for the river is given by Patroclus, which makes this Odyssey reference to four specific rivers (plus Oceanus) rather striking;2 for such a well–defined topography appears to conflict with the otherwise vague descriptions of Hades in Homer. In the Iliad the only named river in the Underworld is the Styx (2.755,3 8.369, 14.271, 15.37), with no reference to the other three. Likewise in the Odyssey Styx is referred to elsewhere (as the river that gods swear by, Od. = 5.184–86 Il. 15.36–38), but there is no other mention of Acheron, Pyriphlegethon, or Cocytus. Most important, there is no reference to any of these rivers when Odysseus actually conducts his quest to Hades (Odyssey 11), nor in the Second Nekuia of the Odyssey (24.1–204).4 Thus here in Odyssey 10 there seems to be a sudden proliferation of clearly defined rivers: "the rivers have multiplied: Okeanos comes in and so do Pyriphlegethon and Kokytos as well as Styx, and also Acheron."5 In response to the apparent suddenness of four Underworld rivers, and the fact that Hesiod seems to know only Styx (Theog. 383, 389–403, 775–806), questions inevitably emerge about the authenticity of the passage. Merry and Riddell in their 1886 edition of the Odyssey felt that such a precise geography was out of keeping with early notions of Hades and that the passage may therefore be a later intrusion. Likewise, more recently, Vermeule raises the question whether it is "possible that these lines have been retrojected into the Odyssey text, in the late sixth or early fifth century."6 The question is not very easily resolved, because even later post–Homeric literature continues to allude [End Page 486] only in a very basic fashion to the Underworld rivers, rather than providing any expansive vision of them.7 Thus it is difficult to be precise about when, and by what process, the individual Underworld rivers enter into Greek perceptions of the afterlife. The names of the rivers (especially Cocytus, from , the verb used in Homer for the high– pitched wail of female mourners) seem to be connected with the pain and suffering associated with death, the funeral rites, and the process of cremation.8 In this sense there is an association with the transition from life to death, and it is appropriate in this context that Odysseus is told that he will meet these rivers on the way to Hades. At some point, however, Acheron, Cocytus, and Pyriphlegethon (in addition to Styx, which is indisputably very early) became fundamental landmarks of Hades itself, and...