Sign and Symbol in Hegel's "Aesthetics"
1982; University of Chicago Press; Volume: 8; Issue: 4 Linguagem: Inglês
10.1086/448180
ISSN1539-7858
Autores Tópico(s)Political Theology and Sovereignty
ResumoPrevious articleNext article No AccessSign and Symbol in Hegel's "Aesthetics"Paul de ManPaul de ManPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 8, Number 4Summer, 1982 Article DOIhttps://doi.org/10.1086/448180 Views: 52Total views on this site Citations: 47Citations are reported from Crossref Copyright 1982 The University of ChicagoPDF download Crossref reports the following articles citing this article:Mark Laurence Jackson Divinity and Violence, (Sep 2022): 53–105.https://doi.org/10.1007/978-981-19-4449-9_2Mark Laurence Jackson Empty Links, (Sep 2022): 1–52.https://doi.org/10.1007/978-981-19-4449-9_1Søren Rosendal How to Make Content out of Form: Towards a Hegelian-Saussurean Theory of Non-Linear Structures of Possibility, Hegel Bulletin 42, no.22 (May 2019): 227–255.https://doi.org/10.1017/hgl.2019.8Vicky Roupa Embodying the Political, (Sep 2020): 153–174.https://doi.org/10.1007/978-3-030-52127-1_7 Introduction, (Nov 2018): 1–16.https://doi.org/10.1017/9781108602952.002Richard Anker Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo's The Body Artist, Angles , no.44 (Apr 2017).https://doi.org/10.4000/angles.1474 Works Cited, (May 2015): 187–203.https://doi.org/10.1002/9781118274538.oth2 S, (Dec 2014): 278–320.https://doi.org/10.1002/9781118893074.ch15Jonathan Hart Between History and Poetry, (Jan 2011): 141–157.https://doi.org/10.1057/9780230339583_9Mary Anne Francis Here and there: An artist's writing as aesthetic form, Journal of Writing in Creative Practice 3, no.22 (Dec 2010): 97–109.https://doi.org/10.1386/jwcp.3.2.97_1 Introduction, (Jan 2009): 1–28.https://doi.org/10.1215/9780822390978-001 Contemporary Art and the Politics of Aesthetics, (Jan 2009): 31–50.https://doi.org/10.1215/9780822390978-002 The Romantic Work of Art, (Jan 2009): 51–78.https://doi.org/10.1215/9780822390978-003 From Classical to Postclassical Beauty, (Jan 2009): 79–110.https://doi.org/10.1215/9780822390978-004 Technologies of Belonging, (Jan 2009): 111–132.https://doi.org/10.1215/9780822390978-005 Dada's Event, (Jan 2009): 135–152.https://doi.org/10.1215/9780822390978-006 Citizen Cursor, (Jan 2009): 153–171.https://doi.org/10.1215/9780822390978-007 Mass Customization, (Jan 2009): 172–195.https://doi.org/10.1215/9780822390978-008 Experimental Communities, (Jan 2009): 197–214.https://doi.org/10.1215/9780822390978-009 Précarité, Autorité, Autonomie, (Jan 2009): 215–237.https://doi.org/10.1215/9780822390978-010 Neo-Dada 1951-54, (Jan 2009): 238–266.https://doi.org/10.1215/9780822390978-011 Post-Communist Notes on Some Vertov Stills, (Jan 2009): 267–293.https://doi.org/10.1215/9780822390978-012 Thinking Red, (Jan 2009): 294–336.https://doi.org/10.1215/9780822390978-013 Bibliography, (Jan 2009): 337–354.https://doi.org/10.1215/9780822390978-014J. 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