Seeing Blindness on Screen: The Cinematic Gaze of Blind Female Protagonists
2009; Wiley; Volume: 42; Issue: 3 Linguagem: Inglês
10.1111/j.1540-5931.2009.00691.x
ISSN1540-5931
Autores Tópico(s)Media, Gender, and Advertising
ResumoThe Journal of Popular CultureVolume 42, Issue 3 p. 480-496 Seeing Blindness on Screen: The Cinematic Gaze of Blind Female Protagonists JOHNSON CHEU, JOHNSON CHEUSearch for more papers by this author JOHNSON CHEU, JOHNSON CHEUSearch for more papers by this author First published: 01 June 2009 https://doi.org/10.1111/j.1540-5931.2009.00691.xCitations: 3Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Bad Object-Choices, ed. How Do I Look?: Queer Video and Cinema. Seattle: Bay Press, 1991. Barasch, Moshe. Blindness: The History of a Mental Image in Western Thought. New York: Routledge, 2001. 116– 20. Blink. Dir. Michael Apted. Perf. Madelene Stowe, Aidian Quinn. Video. New Line Cinema, 1994. Dark Victory. Dir. Edmund Goulding. Perf. Bette Davis, Humphrey Bogart. DVD. Warner Bros., 2000. De Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana UP, 1984. De Lauretis, Teresa. Film and the Visible. How Do I Look? Ed. Bad Object-Choices. Seattle: Bay Press, 1991. 225– 76. Doane, Mary Ann. The Desire to Desire: The Woman's Film of the 1940s. Bloomington: Indiana UP, 1987. Fanon, Franz. Black Skin, White Masks. Trans. Charles Lam Markmann. New York: Grove, 1967. Fuss, Diana. Identification Papers. New York: Routledge, 1995. Lorraine Gamman, and Margaret Marshment, eds. The Female Gaze: Women as Viewers of Popular Culture. London: Women's Press, 1998. Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. New York: Holt, 1974. Hooks, Bell. The Oppositional Gaze: Black Female Spectators. Reel to Reel: Race, Class, and Sex at the Movies. New York: Routledge, 1996. 197– 213. Ice Castles. Dir. Donald Wrye. Perf. Robby Benson, Lynn-Holly Johnson. DVD. Columbia/Tristar, 2001. Kaplan, E. Ann. Is the Gaze Male? Feminism and Film. Ed. E. Ann Kaplan. Oxford: Oxford UP, 2000. 119– 38. E. Ann. Kaplan, ed. Feminism and Film. Oxford: Oxford UP, 2000. Kleege, Georgina. Blind Nightmares. Sight Unseen. New Haven, CT: Yale UP, 1999. 43– 66. Kleege, Georgina. Here's Looking at You. Sight Unseen. New Haven, CT: Yale UP, 122– 38. Kramer vs. Kramer. Dir. Robert Benton. Perf. Dustin Hoffman, Meryl Streep. DVD. Columbia, 2001. Longmore, Paul K. Screening Stereotypes: Images of Disabled People in Television and Motion Pictures. Why I Burned my Book and other Essays on Disability. Philadelphia: Temple UP, 2003. 131– 46. Magnificent Obsession. Dir. Douglas Sirk. Perf. Rock Hudson, Jane Wyman. Video. Universal, 1992. Gerald Mast, and Marshall Cohen et al., eds. Film Theory and Criticism: Introductory Readings. 4th ed. New York: Oxford UP, 1992. Mayne, Judith. Cinema and Spectatorship. New York: Routledge, 1993. Mulvey, Laura. Visual Pleasure and Narrative Cinema. Film Theory and Criticism: Introductory Readings. 4th ed. Ed. Gerald Mast et al. New York: Oxford UP, 1992. 746– 57. Norden, Martin F. The Cinema of Isolation: A History of Physical Disability in the Movies. New Brunswick: Rutgers UP, 1994. Norma Rae. Dir. Martin Ritt. Perf. Sally Field, Beau Bridges. DVD. Twentieth Century Fox, 2002. Patch of Blue, A. Dir. Guy Green. Perf. Sidney Poitier, Elizabeth Hartman. Video. Turner, 1997. Dianne Pothier, and Richard Devlin, eds. Critical Disability Theory: Essays in Philosophy, Politics, Policy and Law. Vancouver: U British Columbia P, 2006. Renata Saleci, and Slavoj Žižek, eds. The Gaze and Voice as Love Objects. Durham, NC: Duke UP, 1996. Thomson, Rosemarie Garland. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia UP, 1997. Titchkosky, Tanya. Disability, Self, and Society. Toronto: U of Toronto P, 2003. Tyjewski, Carolyn. Ghosts in the Machine: Civil Rights Laws and the Hybrid ‘Invisible Other.’ Critical Disability Theory: Essays in Philosophy, Politics, Policy and Law. Ed. Dianne Pothier and Richard Devlin. Vancouver: U of British Columbia P, 2006. 106– 26. Wait Until Dark. Dir. Terence Young. Perf. Audrey Hepburn, Alan Arkin. Video. Warner Bros., 1997. Williams, Linda. When the Woman Looks. Film Theory and Criticism: Introductory Readings. 4th ed. Ed. Gerald Mast et al. New York: Oxford UP, 1992. 561– 77. Zupančič, Alenka. Philosopher, Blind Man's Bluff. The Gaze and Voice as Love Objects. Ed. Renata Saleci and Slavoj Žižek. Durham, NC: Duke UP, 1996. 32– 58. Citing Literature Volume42, Issue3June 2009Pages 480-496 ReferencesRelatedInformation
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