Artigo Revisado por pares

Wagner as a Problem

1998; Berghahn Books; Volume: 16; Issue: 2 Linguagem: Inglês

10.3167/104503098782173886

ISSN

1558-5441

Autores

MITCHELL COHEN,

Tópico(s)

Musicology and Musical Analysis

Resumo

Der Fliegende Holländer by Richard Wagner, at the Teatro delle Opera di Roma (April 1997). Der Ring des Nibelungen by Richard Wagner, at the Metropolitan Opera (New York, April-May 1997). Der Ring des Nibelungen by Richard Wagner, at the Festspielhaus (Bayreuth, July-August 1995). Tristan und Isolde by Richard Wagner, at the Festspielhaus (Bayreuth, July 1995). Barry Millington, “Nuremberg Trial: Is there Anti-Semitism in DieMeistersinger?” Cambridge Opera Journal 3 (3 November 1991), pp. 247-260. Cecelia Hopkins Porter, The Rhine as a Musical Metaphor: Cultural Identity in German Romantic Music (Boston: Northeastern University Press, 1996). Frederic Spotts, Bayreuth: A History of the Wagner Festival (New Haven and London: Yale University Press, 1994). Michael Tanner, Wagner (Princeton: Princeton University Press, 1996). Marc A. Weiner, Richard Wagner and the Anti-Semitic Imagination (Lincoln and London: University of Nebraska Press, 1995).

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