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Everybody’s Protest Song: Music as Social Protest in the Performances of Marian Anderson and Billie Holiday

2007; University of Chicago Press; Volume: 33; Issue: 2 Linguagem: Inglês

10.1086/521057

1545-6943

Janell Hobson,

Art, Politics, and Modernism

Previous articleNext article No AccessComparative Perspectives Symposium: Feminist Art and Social ChangeEverybody’s Protest Song: Music as Social Protest in the Performances of Marian Anderson and Billie HolidayJanell HobsonJanell HobsonDepartment of Women’s StudiesUniversity at Albany, State University of New York Search for more articles by this author Department of Women’s StudiesUniversity at Albany, State University of New YorkPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Signs Volume 33, Number 2Winter 2008 Article DOIhttps://doi.org/10.1086/521057 Views: 1628Total views on this site Citations: 13Citations are reported from Crossref © 2008 by The University of Chicago. All rights reserved.PDF download Crossref reports the following articles citing this article:Tennille Nicole Allen, Antonia Randolph Listening for the Interior in Hip-Hop and R&B Music, Sociology of Race and Ethnicity 6, no.11 (Aug 2019): 46–60.https://doi.org/10.1177/2332649219866470 The Acousmatic Question, (Jan 2018): 1–37.https://doi.org/10.1215/9780822372646-001 Formal and Informal Pedagogies, (Jan 2018): 39–60.https://doi.org/10.1215/9780822372646-002 Phantom Genealogy, (Jan 2018): 61–90.https://doi.org/10.1215/9780822372646-003 Familiarity as Strangeness, (Jan 2018): 91–113.https://doi.org/10.1215/9780822372646-004 Race as Zeros and Ones, (Jan 2018): 115–150.https://doi.org/10.1215/9780822372646-005 Bifurcated Listening, (Jan 2018): 151–175.https://doi.org/10.1215/9780822372646-006 Widening Rings of Being, (Jan 2018): 177–200.https://doi.org/10.1215/9780822372646-007 Notes, (Jan 2018): 205–241.https://doi.org/10.1215/9780822372646-008 Bibliography, (Jan 2018): 243–257.https://doi.org/10.1215/9780822372646-009John Baldwin, Phillip Chidester, Laura Robinson Countercultural Happenings: The Performance of Revolt in Brazil’s Tropicália Movement, (Jun 2017): 279–301.https://doi.org/10.1108/S2050-206020170000013020Vannina Sztainbok Exposing her body, revealing the nation: the carnival vedette, black femininity and the symbolic order, Social Identities 19, no.55 (Sep 2013): 592–606.https://doi.org/10.1080/13504630.2013.835508William F. Danaher Music and Social Movements, Sociology Compass 4, no.99 (Sep 2010): 811–823.https://doi.org/10.1111/j.1751-9020.2010.00310.x