History, Memory, and Moral Judgment in Documentary Film: On Marcel Ophuls's "Hotel Terminus: The Life and Times of Klaus Barbie"
2002; University of Chicago Press; Volume: 28; Issue: 2 Linguagem: Inglês
10.1086/449050
ISSN1539-7858
Autores Tópico(s)Photography and Visual Culture
ResumoPrevious articleNext article No AccessHistory, Memory, and Moral Judgment in Documentary Film: On Marcel Ophuls's "Hotel Terminus: The Life and Times of Klaus Barbie"Susan Rubin SuleimanSusan Rubin Suleiman Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 28, Number 2Winter, 2002 Article DOIhttps://doi.org/10.1086/449050 Views: 105Total views on this site Citations: 5Citations are reported from Crossref Copyright 2002 The University of ChicagoPDF download Crossref reports the following articles citing this article:Robert Lemelson, Annie Tucker Visual Psychological Anthropology in the Field, (Oct 2021): 269–311.https://doi.org/10.1007/978-3-030-79883-3_7Heather McIntosh, Kalen Churcher Navigating Alma’s Gang Culture: Exploring Testimonio , Identity, and Violence through an Interactive Documentary, Journal of Film and Video 72, no.3-43-4 (Oct 2020): 16–31.https://doi.org/10.5406/jfilmvideo.72.3-4.0016Heather McIntosh Reenactments and the Denial of Catharsis in The Act of Killing, Quarterly Review of Film and Video 34, no.55 (Apr 2016): 379–394.https://doi.org/10.1080/10509208.2016.1144041 Ridiculous Trauma, Cultural Critique 78 (Apr 2011): 88–118.https://doi.org/10.5749/culturalcritique.78.2011.0088 Benjamin Robinson The Specialist on the Eichmann Precedent: Morality, Law, and Military Sovereignty Robinson, Critical Inquiry 30, no.11 (Jul 2015): 63–97.https://doi.org/10.1086/380807
Referência(s)