Carta Acesso aberto Revisado por pares

Signs of love, not a love potion

2003; BMJ; Volume: 327; Issue: 7429 Linguagem: Inglês

10.1136/bmj.327.7429.1471

ISSN

0959-8138

Autores

Jeffrey K Aronson,

Tópico(s)

Musicology and Musical Analysis

Resumo

Gunther Weitz has described the symptoms experienced by Tristan and Isolde in Wagner's opera after they have drunk the love potion. He concludes that the potion is likely to have contained an anticholinergic compound or compounds. This is an amusing idea, but to treat it seriously trivialises Wagner's opera. The legend of Tristan (or Tristram) and Iseult (or Isolde) is from the 6th century but was not written down until the 12th century, when it became exceptionally popular, spawning about 80 versions in the next 100 or so years. Its popularity has not waned in 850 years. The first still extant version (circa 1150) was by the French poet Thomas, and later French versions are by Beroul (c 1180), Marie de France (c 1190), and Helie de Borron (c 1190). Gottfried von Strassburg's early 13th century unfinished version (c 1210) relied on that of Thomas; in completing it, Ulrich von Turheim and Heinrich von Freiburg relied on a late 12th century version by Eilhart of Oberg. In most versions the love potion is made by Iseult's mother when her daughter is about to be escorted by Tristan to Cornwall to marry King Mark, with the instruction to Iseult's nurse, Brangien (Brangane) that it is to be given to Iseult and Mark on their wedding …

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