From Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept of Kunstwollen
2006; University of Chicago Press; Volume: 32; Issue: 4 Linguagem: Inglês
10.1086/508091
ISSN1539-7858
Autores Tópico(s)Conservation Techniques and Studies
ResumoPrevious articleNext article No AccessFrom Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept of KunstwollenJas’ ElsnerJas’ Elsner Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 32, Number 4Summer 2006 Article DOIhttps://doi.org/10.1086/508091 Views: 297Total views on this site Citations: 14Citations are reported from Crossref © 2006 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Lucia Allais, Andrei Pop Mood for Modernists: An Introduction to Three Riegl Translations, Grey Room 80 (Aug 2020): 6–25.https://doi.org/10.1162/grey_e_00300Thomas Harrison, Joseph Skinner Herodotus in the Long Nineteenth Century, 77 (Mar 2020).https://doi.org/10.1017/9781108562805Jaś Elsner Empires of Faith in Late Antiquity, 39 (Feb 2020).https://doi.org/10.1017/9781108564465Carl Knappett Materiality in Archaeological Theory, (Oct 2020): 6843–6851.https://doi.org/10.1007/978-3-030-30018-0_292Matthew Hayes On the origins of Alois Riegl’s conservation theory, Journal of the American Institute for Conservation 58, no.33 (Mar 2019): 132–143.https://doi.org/10.1080/01971360.2018.1558639Wendy M. K. Shaw , ( 2019).https://doi.org/10.1017/9781108622967Béatrice Joyeux-Prunel , Journal of Global History 14, no.33 ( 2019): 413.https://doi.org/10.1017/S1740022819000196Pınar Aslan Popular Culture and Iconology, (Jan 2019): 174–187.https://doi.org/10.4018/978-1-5225-8491-9.ch011Margaret Cool Root Style, (Sep 2018): 75–101.https://doi.org/10.1002/9781118336779.ch4 Finbarr Barry Flood Picasso the Muslim: Or, How the Bilderverbot became modern (Part 1), Res: Anthropology and aesthetics 67-68 (Nov 2017): 42–60.https://doi.org/10.1086/693384Abigail Baker ‘Everything good we stood for’: exhibiting Greek art in World War II, Classical Receptions Journal 8, no.33 (Jan 2016): 404–428.https://doi.org/10.1093/crj/clv017Roland Betancourt Medieval Art after Duchamp: Hans Belting’s Likeness and Presence at 25, Gesta 55, no.11 (Apr 2016): 5–17.https://doi.org/10.1086/684413Jaś Elsner and Katharina Lorenz The Genesis of Iconology Jaś Elsner and Katharina Lorenz, Critical Inquiry 38, no.33 (Jul 2015): 483–512.https://doi.org/10.1086/664548Richard Brilliant Forwards and backwards in the historiography of Roman art, Journal of Roman Archaeology 20 (Feb 2015): 7–24.https://doi.org/10.1017/S1047759400005298
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