Artigo Revisado por pares

The Holocaust as Vicarious Past: Art Spiegelman's "Maus" and the Afterimages of History

1998; University of Chicago Press; Volume: 24; Issue: 3 Linguagem: Inglês

10.1086/448890

ISSN

1539-7858

Autores

James E. Young,

Tópico(s)

German History and Society

Resumo

Previous articleNext article No AccessThe Holocaust as Vicarious Past: Art Spiegelman's "Maus" and the Afterimages of HistoryJames E. YoungJames E. YoungPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 24, Number 3Spring, 1998 Article DOIhttps://doi.org/10.1086/448890 Views: 168Total views on this site Citations: 31Citations are reported from Crossref Copyright 1998 The University of ChicagoPDF download Crossref reports the following articles citing this article:Mateusz Świetlicki, Dorota Michułka Unburied Practices of Memory: The Holocaust and the Polish-Jewish Relations in Joanna Rudniańska's Kotka Brygidy (2007) and XY (2012), Children's Literature in Education 5 (Feb 2022).https://doi.org/10.1007/s10583-021-09473-6Lovorka Gruic Grmusa, Biljana Oklopcic Everything is Illuminated: Unproductive Memories, Memorization Through Fictional Yizker and Dialogic Exchange, and Postmemory, (Sep 2022): 129–161.https://doi.org/10.1007/978-981-19-5025-4_6Hannah Skrynsky From Dystopic to Decolonial, Extrapolation 61, no.33 (Dec 2020): 317–336.https://doi.org/10.3828/extr.2020.17Christina Kraenzle Risking Representation: Abstraction, Affect, and the Documentary Mode in Birgit Weyhe's Madgermanes, Seminar: A Journal of Germanic Studies 56, no.3-43-4 (Nov 2020): 212–234.https://doi.org/10.3138/seminar.56.3-4.01Arya Priyadarshini, Suman Sigroha Recovering the Palestinian History of Dispossession through Graphics in Leila Abdelrazaq's Baddawi, Eikon / Imago 9 (Jul 2020): 395–418.https://doi.org/10.5209/eiko.73329Ayelet Kohn, Rachel Weissbrod Remediation and hypermediacy: Ezekiel's World as a case in point, Visual Communication 19, no.22 (Jul 2018): 199–229.https://doi.org/10.1177/1470357218785931Christina Kraenzle Spirou's transnational travels: historical memory and comics memory in Flix's Spirou in Berlin, Journal of Graphic Novels and Comics 11, no.11 (Mar 2020): 117–133.https://doi.org/10.1080/21504857.2019.1700144Jeffrey Scott Demsky We Are a Long Ways Past Maus: Responsible and Irresponsible Holocaust Representations in Graphic Comics and Sitcom Cartoons, (Jan 2020): 529–551.https://doi.org/10.1007/978-3-030-33428-4_29Henry Redwood, Alister Wedderburn , Review of International Studies 45, no.0404 ( 2019): 588.https://doi.org/10.1017/S0260210519000147 When the Earth Moves, (Jan 2018): 13–40.https://doi.org/10.1215/9780822372059-002 The Racial Sublime, (Jan 2018): 41–67.https://doi.org/10.1215/9780822372059-003 The Nuclear Sublime, (Jan 2018): 68–100.https://doi.org/10.1215/9780822372059-004 The Industrial Sublime, (Jan 2018): 101–132.https://doi.org/10.1215/9780822372059-005 The 9/11 Terror Sublime, (Jan 2018): 133–167.https://doi.org/10.1215/9780822372059-006 Afterword, (Jan 2018): 169–172.https://doi.org/10.1215/9780822372059-007 Notes, (Jan 2018): 173–191.https://doi.org/10.1215/9780822372059-008Luke Howie Witnessing terrorism, Journal of Sociology 51, no.33 (Sep 2015): 507–521.https://doi.org/10.1177/1440783313500760Sam Knowles The Postcolonial Graphic Novel and Trauma: From Maus to Malta, (Jan 2015): 83–96.https://doi.org/10.1057/9781137526434_6Ofra Amihay Passing under separation: comics representations of the Holocaust and the Berlin Wall, Journal of Graphic Novels & Comics 4, no.22 (Dec 2013): 278–296.https://doi.org/10.1080/21504857.2012.670653Kristen Dobbin "Exposing Yourself a Second Time": Visual Repatriation in Scandinavian Sápmi, Visual Communication Quarterly 20, no.33 (Jul 2013): 128–143.https://doi.org/10.1080/15551393.2013.820585Shruti Devgan From the 'crevices in dominant memories': virtual commemoration and the 1984 anti-Sikh violence, Identities 20, no.22 (Apr 2013): 207–233.https://doi.org/10.1080/1070289X.2013.771579Michael Pickering, Emily Keightley Communities of memory and the problem of transmission, European Journal of Cultural Studies 16, no.11 (Jan 2013): 115–131.https://doi.org/10.1177/1367549412457481Amit Pinchevski The Audiovisual Unconscious: Media and Trauma in the Video Archive for Holocaust Testimonies Amit Pinchevski, Critical Inquiry 39, no.11 (Jul 2015): 142–166.https://doi.org/10.1086/668053CAROL A. KIDRON Embracing the lived memory of genocide: Holocaust survivor and descendant renegade memory work at the House of Being, American Ethnologist 37, no.33 (Jul 2010): 429–451.https://doi.org/10.1111/j.1548-1425.2010.01264.xHillary Chute Comics as Literature? Reading Graphic Narrative, PMLA/Publications of the Modern Language Association of America 123, no.22 (Oct 2020): 452–465.https://doi.org/10.1632/pmla.2008.123.2.452MARTHA KUHLMAN The Traumatic Temporality of Art Spiegelman's In the Shadow of No Towers, The Journal of Popular Culture 40, no.55 (Oct 2007): 849–866.https://doi.org/10.1111/j.1540-5931.2007.00458.xMarita Grimwood The Graphic Memoir: Art Spiegelman's Maus: A Survivor's Tale, (Jan 2007): 63–81.https://doi.org/10.1057/9780230605633_4David Theo Goldberg, John Solomos A Companion to Racial and Ethnic Studies, (Jan 2002): 383–404.https://doi.org/10.1111/b.9780631206163.2002.00034.xBruno Mazzoldi "Dejémonos de álbumes" o la peor manera de guardar la desconstrucción en una cáscara, Revista Colombiana de Antropología 34 (Jan 1998): 206–241.https://doi.org/10.22380/2539472X.1335 Introduction, (): 1–12.https://doi.org/10.1215/9780822372059-001 Bibliography, (): 193–208.https://doi.org/10.1215/9780822372059-009

Referência(s)
Altmetric
PlumX