The Cambridge Companion to Schubert
1998; Music Library Association; Volume: 55; Issue: 1 Linguagem: Inglês
10.2307/900366
ISSN1534-150X
AutoresGreg Vitercik, Christopher H. Gibbs,
Tópico(s)Music History and Culture
ResumoNotes on the contributors Chronology Note to the reader Acknowledgments Introduction: the elusive Schubert Christopher H. Gibbs Part I. Contexts: Musical, Political, and Cultural: 1. Realism transformed: Franz Schubert and Vienna Leon Botstein 2. 'Poor Schubert': images and legends of the composer Christopher H. Gibbs 3. 'The passion for friendship': music, cultivation, and identity in Schubert's circle David Gramit 4. Schubert's inflections of Classical forms Charles Rosen 5. Schubert and his poets: issues and conundrums Susan Youens Part II. Schubert's Music: Style and Genre: 6. Schubert's songs: the transformation of a genre Kristina Muxfeldt 7. Schubert's social music: the 'forgotten genres' Margaret Notley 8. Schubert's piano music: probing the human condition William Kinderman 9. Schubert's chamber music: before and after Beethoven Martin Chusid 10. Schubert's orchestral music: 'strivings after the highest in art' L. Michael Griffel 11. Schubert's religious and choral music: toward a statement of faith Glenn Stanley 12. Schubert's operas: 'the judgement of history?' Thomas A. Denny Part III. Reception: 13. German reception: Schubert's 'journey to immortality' Christopher H. Gibbs 14. Schubert's reception history in nineteenth-century England John Reed 15. Schubert's reception in France: a chronology (1828-1928) Xavier Hascher 16. Franz Schubert's music in performance: a brief history of people, events, and issues David Montgomery Notes Index.
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