Marchetto's Division of the Whole Tone
1981; University of California Press; Volume: 34; Issue: 2 Linguagem: Inglês
10.2307/831346
ISSN1547-3848
Autores Tópico(s)Music Technology and Sound Studies
Resumo' the date of the see Oliver Strunk, On the Date of Marchetto da Padova, in his Essays on Music in the Western World (New York, 1974), PP39-43 (originally published as Intorno a Marchetto da Padova, Rassegna musicale, XX [1950], 312-15); Nino Pirrotta, Marchettus de Padua and the Italian Ars Nova, Musica disciplina, IX (0955), 57-71; Jan W. Herlinger, The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary (Ph.D. diss., Univ. of Chicago, 1978), pp. 2-15-. 2 Lucidarium 2. 6 and 2. 8; see Martin Gerbert, ed., Scriptores ecclesiastici de musica sacrapotissimum, 3 vols. (St. Blaise, 1784; rep. Milan, 1931), III, 73b, 74b, 75a. This collection is cited henceforth as GS. Gerbert gives the tenor of the last example a third too low; it is emended here through reference to the manuscripts. See Herlinger, Lucidarium, pp. 265-66. 3 See, for instance, Francois Joseph Fetis, Biographie universelle des musiciens et bibliographie ginirale de la musique, 2nd ed., 8 vols. (Paris, i86o-65), V, 449: Les successions harmoniques presenties dans ces exemples sont des hardiesses prodi-
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