Sculpture, Stasis, the Comics, and Hellboy
2014; University of Chicago Press; Volume: 40; Issue: 3 Linguagem: Inglês
10.1086/677334
ISSN1539-7858
Autores Tópico(s)Digital Media and Philosophy
ResumoPrevious articleNext article No AccessSculpture, Stasis, the Comics, and HellboyScott BukatmanScott BukatmanPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 40, Number 3Spring 2014Comics & Media, edited by Hillary Chute and Patrick Jagoda Article DOIhttps://doi.org/10.1086/677334 Views: 1253Total views on this site Citations: 5Citations are reported from Crossref © 2014 by The University of Chicago. All rights reservedPDF download Crossref reports the following articles citing this article:Esther De Bruijn, Kelsey Hughes Millennial capitalism's vampires: The South African graphic novel Rebirth, Journal of Graphic Novels and Comics 12, no.22 (Apr 2019): 75–96.https://doi.org/10.1080/21504857.2019.1598453Kathryn Manis Neoliberal Anxiety and the Post-Apocalypse in US Comic Books: An Analysis of Y the Last Man and The Private Eye, The Journal of Popular Culture 51, no.55 (Sep 2018): 1234–1255.https://doi.org/10.1111/jpcu.12724Saige Walton Cruising the unknown: film as rhythm and embodied apprehension in L'Inconnu du lac/Stranger by the Lake (2013), New Review of Film and Television Studies 16, no.33 (Jun 2018): 238–263.https://doi.org/10.1080/17400309.2018.1479183Thomas Giddens Navigating the looking glass: severing the lawyer's head in Arkham Asylum, Griffith Law Review 24, no.33 (Dec 2015): 395–417.https://doi.org/10.1080/10383441.2015.1119777Hillary Chute and Patrick Jagoda Special Issue: Comics & Media, Critical Inquiry 40, no.33 (Jul 2015): 1–10.https://doi.org/10.1086/677316
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