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What Novels Can Do That Films Can't (And Vice Versa)

1980; University of Chicago Press; Volume: 7; Issue: 1 Linguagem: Inglês

10.1086/448091

1539-7858

Seymour Chatman,

Media Influence and Health

Previous articleNext article No AccessWhat Novels Can Do That Films Can't (And Vice Versa)Seymour ChatmanSeymour ChatmanPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 7, Number 1Autumn, 1980On Narrative Article DOIhttps://doi.org/10.1086/448091 Views: 302Total views on this site Citations: 39Citations are reported from Crossref Copyright 1980 The University of ChicagoPDF download Crossref reports the following articles citing this article:Sheldon Schiffer Multi-Disciplinary Paths to Actor-Centric Non-Player Character Emotion Models, (Jan 2021): 17–42.https://doi.org/10.4018/978-1-7998-4864-6.ch002Lukas Schepp Toward Sphere Theory, (Jan 2022): 37–55.https://doi.org/10.1007/978-981-15-4720-1_3Pete Jones, Eithne Quinn, Johan Koskinen Measuring centrality in film narratives using dynamic character interaction networks, Social Networks 63 (Oct 2020): 21–37.https://doi.org/10.1016/j.socnet.2020.03.003Philip Derbesy , The Journal of American Culture 43, no.22 ( 2020): 100.https://doi.org/10.1111/jacc.13132Arturo Leyva Pizano Speaking Without Words: Luhrmann's Adaptation of Romeo and Juliet, Interdisciplinary Literary Studies 21, no.44 (Dec 2019): 532–558.https://doi.org/10.5325/intelitestud.21.4.0532Armelle Blin-Rolland Adaplastics: forming the Zazie dans le métro network, Modern & Contemporary France 27, no.44 (Jun 2019): 457–473.https://doi.org/10.1080/09639489.2019.1624514Kate Scott, Billy Clark, Robyn Carston Relevance, Pragmatics and Interpretation, 1 (Jul 2019).https://doi.org/10.1017/9781108290593Marco Bellardi The cinematic mode in fiction, Frontiers of Narrative Studies 4, no.s1s1 (Nov 2018): s24–s47.https://doi.org/10.1515/fns-2018-0031Casie Hermansson, Janet Zepernick Introduction: Where is adaptation?, (Sep 2018): 1–10.https://doi.org/10.1075/fillm.9.01herAudun Engelstad Playing the Producer's Game: Adaptation and the Question of Fidelity, Adaptation 11, no.11 (Jan 2017): 25–39.https://doi.org/10.1093/adaptation/apx023Robyn McCallum Introduction: 'Palimpsestuous Intertextuality' and the Cultural Politics of Childhood, (Jan 2018): 1–32.https://doi.org/10.1057/978-1-137-39541-2_1Ljubica Matek, Jelena Pataki From "Crash!" to Crash: Adapting the Adaptation, Anafora 4, no.22 (Dec 2017).https://doi.org/10.29162/ANAFORA.v4i2.7Georgina Lock Petticoat Sailor to She Crossing: A Screenwriter's Reflections on Novelizing a Screenplay, Adaptation 10, no.11 (Feb 2017): 114–126.https://doi.org/10.1093/adaptation/apx002 이건근 Schopenhauer and bad wives: Based on a short story The chrysanthemums and films Cosa voglio di piu and Le secret, STEM Journal 18, no.11 (Feb 2017): 47–63.https://doi.org/10.16875/stem.2017.18.1.47Thomas Leitch Mind the Gaps, (Dec 2017): 53–71.https://doi.org/10.1007/978-3-319-58580-2_4Barbara Correll Chaste Thinking, Cultural Reiterations: Shakespeare's Lucrece and The Letter, (Nov 2017): 131–147.https://doi.org/10.1007/978-3-319-63300-8_8Bonaventure Muzigirwa Munganga, Maria DiBattista Inference and narrative processing in fiction and film: (Where) (does) narrative reading part(s) ways with its viewing and vice versa (?), Cogent Arts & Humanities 3, no.11 (Nov 2016): 1252138.https://doi.org/10.1080/23311983.2016.1252138Roberta Colonna Dahlman Narrazione dell'abbandono tra letteratura e cinema, Revue Romane. 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