Sound and Feeling
1984; University of Chicago Press; Volume: 10; Issue: 4 Linguagem: Inglês
10.1086/448267
ISSN1539-7858
Autores Tópico(s)Bach Studies and Logistics Development
ResumoPrevious articleNext article No AccessSound and FeelingAnthony NewcombAnthony Newcomb Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 10, Number 4Jun., 1984 Article DOIhttps://doi.org/10.1086/448267 Views: 43Total views on this site Citations: 10Citations are reported from Crossref Copyright 1984 The University of ChicagoPDF download Crossref reports the following articles citing this article:Peter Kivy, Małgorzata A. Szyszkowska, Czarnecki Jan, Iwona Młoźniak, Małgorzata A. Szyszkowska Brzmienie uczuć. Esej o emocjach muzycznych zawierający pełną wersję tekstu "Struny muszli", (Jan 2022).https://doi.org/10.31338/uw.9788323556886Lindsay Coleman Eero Tarasti and the Narratological Construction of Rachel Portman’s Emma, (May 2017): 125–138.https://doi.org/10.1057/978-1-137-57375-9_9Taylor Brook Ascending Music: Meaning and Expression in the Chamber Music of Brian Cherney, Intersections 37, no.11 (May 2019): 83–98.https://doi.org/10.7202/1059888arJeffrey Swinkin Musical Autonomy and Musical Meaning: A Historical Overview, (Jul 2015): 23–52.https://doi.org/10.1007/978-3-319-12514-5_2Andrew Edgar A Hermeneutics of Sport, Sport, Ethics and Philosophy 7, no.11 (Feb 2013): 140–167.https://doi.org/10.1080/17511321.2012.761893Philip Alperson The Philosophy of Music: Formalism and Beyond, (Jan 2008): 254–275.https://doi.org/10.1002/9780470756645.ch14Nicholas Cook Theorizing Musical Meaning, Music Theory Spectrum 23, no.22 (Oct 2001): 170–195.https://doi.org/10.1525/mts.2001.23.2.170Candace Brower A Cognitive Theory of Musical Meaning, Journal of Music Theory 44, no.22 (Oct 2000): 323–379.https://doi.org/10.2307/3090681Lawrence Kramer Culture and musical hermeneutics: The Salome complex, Cambridge Opera Journal 2, no.33 (Aug 2008): 269–294.https://doi.org/10.1017/S0954586700003281Anthony Newcomb Schumann and Late Eighteenth-Century Narrative Strategies, 19th-Century Music 11, no.22 (Oct 1987): 164–174.https://doi.org/10.2307/746729
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