"Supremely clubbed, devastatingly dubbed".
1991; Wiley; Volume: 4; Issue: 1 Linguagem: Inglês
10.1111/j.1533-1598.1991.tb00123.x
ISSN1533-1598
Autores ResumoJournal of Popular Music StudiesVolume 4, Issue 1 p. 9-15 “Supremely clubbed, devastatingly dubbed” Some observations on the nature of mixes on 12-inch dance singles. Kai Fikentscher, Kai Fikentscher Department of Music, Columbia UniversitySearch for more papers by this author Kai Fikentscher, Kai Fikentscher Department of Music, Columbia UniversitySearch for more papers by this author First published: January 1991 https://doi.org/10.1111/j.1533-1598.1991.tb00123.xCitations: 2AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Abstract (Versions of this paper were presented at the 1990 meetings of the MidAtlantic Chapter of the Society for Ethnomusicology (MACSEM) in Newark, Delaware, and of the International Association for the Study of Popular Music (IASPM) in New Orleans, Louisiana. No quotations please without permission from the author.) References Becker, Howard. Art worlds. Berkeley and Los Angeles : University of California Press, 1982. Google Scholar George, Nelson. The death of Rhythm & Blues. New York : Pantheon Books, 1988. Google Scholar Hebdige, Dick. Cut'n'Mix. New York : Methuen, 1987. 10.4324/9780203359280 Google Scholar Shannon, Doug. Off the record. Cleveland , Ohio : Pacesetter Pub lishing House, 1985 ( second edition). Google Scholar Discography Grace Jones. PERFECT. Manhattan Records V 56038, 1986. Google Scholar Gwen Guthrie. OUTSIDE IN THE RAIN. Polydor Records 885 362-1 DJ, 1986. Google Scholar Janet Jackson. CONTROL, THE REMIXES. A&M Records MIXLPI, 1987. Google Scholar Inner City. BIG FUN. Virgin Records ST-DM-55969/55970-SP, 1988. Google Scholar Nia Peeples. HIGH TIME. Mercury Records 870 561-1, 1988. Best of House Music Volume 2: GOTA HAVE HOUSE. Profile Records PRO-1273, 1988. Google Scholar Arnold Jarvis. TAKE SOME TIME OUT. Fourth Floor Records FF-287-R, 1989. Google Scholar Mellow Man Ace. MENTIROSA. Capitol Records V-15509, 1990. Google Scholar Milli Vanilli. THE REMIX ALBUM. Ansta Records AL-8622, 1990. Google Scholar Paula Abdul. SHUT UP AND DANCE. Virgin Records 91362-1, 1990. Google Scholar Citing Literature Volume4, Issue1January 1991Pages 9-15 ReferencesRelatedInformation
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