The Baroque Concerto in Theory and Practice
2009; University of California Press; Volume: 26; Issue: 4 Linguagem: Inglês
10.1525/jm.2009.26.4.566
ISSN1533-8347
Autores Tópico(s)Music Technology and Sound Studies
ResumoResearch Article| October 01 2009 The Baroque Concerto in Theory and Practice Steven Zohn Steven Zohn Steven Zohn is Associate Professor of Music History at Temple University. He is the author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works (Oxford University Press, 2008), and of numerous studies focusing on music of the German late baroque. He is currently completing editions of vocal and instrumental chamber music for Carl Philipp Emanuel Bach: The Complete Works and Georg Philipp Telemann: Musikalische Werke. Search for other works by this author on: This Site PubMed Google Scholar Journal of Musicology (2009) 26 (4): 566–594. https://doi.org/10.1525/jm.2009.26.4.566 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Steven Zohn; The Baroque Concerto in Theory and Practice. Journal of Musicology 1 October 2009; 26 (4): 566–594. doi: https://doi.org/10.1525/jm.2009.26.4.566 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Musicology Search This content is only available via PDF. © 2009 by the Virginia Allan Detloff Library, C.G. Jung Institute of San Francisco Article PDF first page preview Close Modal You do not currently have access to this content.
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