Benjamin’s Aura
2008; University of Chicago Press; Volume: 34; Issue: 2 Linguagem: Indonésio
10.1086/529060
ISSN1539-7858
Autores Tópico(s)Literature and Cultural Memory
ResumoPrevious articleNext article No AccessBenjamin's AuraMiriam Bratu HansenMiriam Bratu HansenPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 34, Number 2Winter 2008 Article DOIhttps://doi.org/10.1086/529060 Views: 1743Total views on this site Citations: 105Citations are reported from Crossref © 2008 by Miriam Bratu Hansen.PDF download Crossref reports the following articles citing this article:Jenni Lauwrens Multisensory Narratives of Home and Belonging: Investigating Virtual Representations of Physical Places in Towards Telepathy (2017) and Home Museum (2020), de arte 20 (Nov 2022): 1–21.https://doi.org/10.1080/00043389.2022.2135854Ilit Ferber Walter Benjamin and the Acoustics of Childhood, Angelaki 27, no.55 (Sep 2022): 37–55.https://doi.org/10.1080/0969725X.2022.2110394Montserrat Herrero Charismatic Politics: From Relics to Portraits, Political Theology 4 (Jul 2022): 1–19.https://doi.org/10.1080/1462317X.2022.2105278Mateusz Fafinski Facsimile narratives: Researching the past in the age of digital reproduction, Digital Scholarship in the Humanities 37, no.11 (Apr 2021): 94–108.https://doi.org/10.1093/llc/fqab017Domen Bajde, Jessica Chelekis, Arjen van Dalen The megamarketing of microfinance: Developing and maintaining an industry aura of virtue, International Journal of Research in Marketing 39, no.11 (Mar 2022): 134–155.https://doi.org/10.1016/j.ijresmar.2021.05.004Andy Bennett Tribute Bands, Self-Tribute and 'Classic Albums Live', (Aug 2022): 137–158.https://doi.org/10.1007/978-3-031-08296-2_7Jeremy Tambling City Snapshots: Walter Benjamin's "Little History of Photography", (Oct 2022): 418–424.https://doi.org/10.1007/978-3-319-62419-8_38Paula Ramos Mollá The Sonderkommando photographs: a possibility for reconciled commemoration of a sublime historical event, Estudios de Filosofía (Sep 2021).https://doi.org/10.17533/udea.ef.345415Olga Sezneva, Anastasiya Halauniova Ugly and uglier: defining value and politics in architecture, Journal of Urban Design 26, no.55 (Apr 2021): 575–590.https://doi.org/10.1080/13574809.2021.1906635Thiago Minete Cardozo, Costas Papadopoulos Heritage Artefacts in the COVID-19 Era: The Aura and Authenticity of 3D Models, Open Archaeology 7, no.11 (Jun 2021): 519–539.https://doi.org/10.1515/opar-2020-0147Sonya E. Pritzker, Sabina Perrino Culture inside: Scale, intimacy, and chronotopic stance in situated narratives, Language in Society 50, no.33 (Jul 2020): 365–387.https://doi.org/10.1017/S0047404520000342Deborah Johnson, Benedikt Korf The predicament of pastoral sovereignty, Political Geography 87 (May 2021): 102368.https://doi.org/10.1016/j.polgeo.2021.102368Filipe Manzoni Ludere-illusio ou a autonomia contingente, Alea: Estudos Neolatinos 23, no.11 (Mar 2021): 226–240.https://doi.org/10.1590/1517-106x/2021231226240Itay Snir Walter Benjamin in the Age of Post-critical Pedagogy, Studies in Philosophy and Education 32 (Jan 2021).https://doi.org/10.1007/s11217-020-09749-2Tara McLennan Light-Writing and Photography's Bodies of Memory, Life Writing 17, no.44 (Jul 2020): 539–560.https://doi.org/10.1080/14484528.2020.1769310Susanne Ø. Sæther Touch/Space: The Haptic in 21st-Century Video Art, (Jul 2020).https://doi.org/10.5117/9789089649928_ch08Michael Geyer The Prague Cookbook of Ruth Bratu, or: How a Historian Came to Feel the Past, Central European History 53, no.11 (Mar 2020): 2–22.https://doi.org/10.1017/S0008938919001018Daniel Mourenza Film and the Aesthetics of German Fascism, (Feb 2020).https://doi.org/10.5117/9789462980174_ch03Daniel Mourenza Walter Benjamin and the Aesthetics of Film, (Feb 2020).https://doi.org/10.5117/9789462980174_introLisa Chinn "The aporia of the veil: the influence of Walter Benjamin's aura in contemporary sound studies", Sound Studies 6, no.11 (Feb 2020): 2–13.https://doi.org/10.1080/20551940.2019.1709015Lauren Bliss "When We Do Not See Something, We Imagine It to Be Much Worse", (Sep 2020): 51–75.https://doi.org/10.1007/978-3-030-45897-3_3Sabina Perrino, Gregory Kohler Chronotopic identities: Narrating Made in Italy across spatiotemporal scales, Language & Communication 70 (Jan 2020): 94–106.https://doi.org/10.1016/j.langcom.2019.01.003 Introduction, (Jan 2020): 1–22.https://doi.org/10.1215/9781478012603-001 Annihilation, (Jan 2020): 23–42.https://doi.org/10.1215/9781478012603-002 Urban Fragments 1, (Jan 2020): 43–44.https://doi.org/10.1215/9781478012603-003 Evacuation, (Jan 2020): 45–75.https://doi.org/10.1215/9781478012603-004 Urban Fragments 2, (Jan 2020): 76–77.https://doi.org/10.1215/9781478012603-005 Solidarity, (Jan 2020): 78–102.https://doi.org/10.1215/9781478012603-006 Spirited Internationalism, (Jan 2020): 103–128.https://doi.org/10.1215/9781478012603-007 Urban Fragments 3, (Jan 2020): 129–130.https://doi.org/10.1215/9781478012603-008 Rational Planning, (Jan 2020): 131–158.https://doi.org/10.1215/9781478012603-009 Urban Fragments 4, (Jan 2020): 159–160.https://doi.org/10.1215/9781478012603-010 Utopian Housing, (Jan 2020): 161–207.https://doi.org/10.1215/9781478012603-011 Indiscipline, (Jan 2020): 209–231.https://doi.org/10.1215/9781478012603-012 Decay, (Jan 2020): 232–259.https://doi.org/10.1215/9781478012603-013 Renovation, (Jan 2020): 260–292.https://doi.org/10.1215/9781478012603-014 Revaluation, (Jan 2020): 293–315.https://doi.org/10.1215/9781478012603-015 On the Future of Utopias Past, (Jan 2020): 316–321.https://doi.org/10.1215/9781478012603-016 Notes, (Jan 2020): 323–356.https://doi.org/10.1215/9781478012603-017 References, (Jan 2020): 357–383.https://doi.org/10.1215/9781478012603-018Claire Omhovère What Place Takes Place in Jordan Abel's The Place of Scraps ?, Sillages critiques , no.2727 (Dec 2019).https://doi.org/10.4000/sillagescritiques.8328Mónica Alonso Riveiro Suspender el tiempo, habitar la imagen: los retratos de los republicanos españoles y el retorno del aura, Journal of Spanish Cultural Studies 20, no.44 (Dec 2019): 403–422.https://doi.org/10.1080/14636204.2019.1689686Jean-Philippe Deranty, Michael J. Olson THE WORK OF ART IN THE AGE OF ITS DIGITAL DISTRIBUTION, Angelaki 24, no.55 (Sep 2019): 104–123.https://doi.org/10.1080/0969725X.2019.1655278Radha S. Hegde Scripting Indianness, (Mar 2019): 225–238.https://doi.org/10.1002/9781119236771.ch15Diane Charleson Creating the Still Frame, (Oct 2019): 87–108.https://doi.org/10.1007/978-3-030-24635-8_6Karina Horsti Curating Objects from the European Border Zone: The "Lampedusa Refugee Boat", (Nov 2019): 53–70.https://doi.org/10.1007/978-3-030-30565-9_4Jürgen Spitzmüller , Journal of Sociolinguistics 23, no.55 ( 2019): 505.https://doi.org/10.1111/josl.12383Onur Dursun Yaratıcı Endüstrilerin Aşkınsal Alanda Görünümü: Yaratıcı Endüstrilerin Yaşam Dünyasının Sömürgeleştirilmesine Etkisi, Moment Journal 5, no.22 (Dec 2018): 144–173.https://doi.org/10.17572/mj2018.2.144173Matthew Charles Secret Signals from Another World, New German Critique 45, no.33 (Nov 2018): 39–72.https://doi.org/10.1215/0094033X-6977791Laura Katherine Smith RE-IMAGINING THE "LOSS OF PLACE", Angelaki 23, no.44 (Aug 2018): 113–132.https://doi.org/10.1080/0969725X.2018.1497284David A. Scott The Replication of Veronese's Wedding at Cana and of Duchamp's Bicycle Wheel : Two Iconic Works as Their Surrogates, Studies in Conservation 63, no.33 (Apr 2017): 127–138.https://doi.org/10.1080/00393630.2017.1298692 Prologue, (Mar 2018): 1–9.https://doi.org/10.1215/9780822372004-001 Introduction to Archiveology, (Mar 2018): 11–34.https://doi.org/10.1215/9780822372004-002 Walter Benjamin and the Language of the Moving Image Archive, (Mar 2018): 35–54.https://doi.org/10.1215/9780822372004-003 The Cityscape in Pieces, (Mar 2018): 55–96.https://doi.org/10.1215/9780822372004-004 Collecting Images, (Mar 2018): 97–140.https://doi.org/10.1215/9780822372004-005 Phantasmagoria and Critical Cinephilia, (Mar 2018): 141–183.https://doi.org/10.1215/9780822372004-006 Awakening from the Gendered Archive, (Mar 2018): 184–217.https://doi.org/10.1215/9780822372004-007 Epilogue, (Mar 2018): 219–224.https://doi.org/10.1215/9780822372004-008 Notes, (Mar 2018): 225–244.https://doi.org/10.1215/9780822372004-009 Selected Filmography, (Mar 2018): 245–246.https://doi.org/10.1215/9780822372004-010 Bibliography, (Mar 2018): 247–259.https://doi.org/10.1215/9780822372004-011Jeremy Tambling City Snapshots: Walter Benjamin's "Little History of Photography", (Apr 2018): 1–7.https://doi.org/10.1007/978-3-319-62592-8_38-1John Hughes Peter Kennedy's The Photographs' Story: The Dialectical Image as Research, (Dec 2017): 195–212.https://doi.org/10.1007/978-3-319-62837-0_12Gregory Kohler, Sabina Perrino Narrating "Made in Italy", Narrative Inquiry 27, no.11 (Jul 2017): 187–207.https://doi.org/10.1075/ni.27.1.10kohSabina M. Perrino, Gregory Kohler , Narrative Inquiry 27, no.11 ( 2017).https://doi.org/10.1075/ni.27.1.10perGarreth P. Broesche Glenn Gould, Spliced, Music Theory Online 22, no.44 (Dec 2016).https://doi.org/10.30535/mto.22.4.1Rosa M. Rodríguez Porto Ruined landscape: images and mirages in the study of Castilian manuscript production (1284–1369), Journal of Spanish Cultural Studies 17, no.33 (Jul 2016): 221–237.https://doi.org/10.1080/14636204.2016.1201341Gillian Rose Rethinking the geographies of cultural 'objects' through digital technologies, Progress in Human Geography 40, no.33 (Jun 2016): 334–351.https://doi.org/10.1177/0309132515580493Chiel van den Akker Benjamin, the Image and the End of History, Journal of Aesthetics and Phenomenology 3, no.11 (Jul 2016): 43–54.https://doi.org/10.1080/20539320.2016.1187851Giacomo Nencioni YouTube, Migrant Rappers and the Early Cinema Aesthetics: Is There a Digital Public Sphere?, (Dec 2016): 383–402.https://doi.org/10.1057/978-1-137-50456-2_19Alanna Cant The allure of art and intellectual property: artisans and industrial replicas in Mexican cultural economies, Journal of the Royal Anthropological Institute 21, no.44 (Oct 2015): 820–837.https://doi.org/10.1111/1467-9655.12289Samuel Gerald Collins Networked Spirits and Smart Séances: Aura and the Anthropological Gaze in the Era of the Internet of Things, History and Anthropology 26, no.44 (Sep 2015): 419–436.https://doi.org/10.1080/02757206.2015.1072528Michael Powers Wolkenwandelbarkeit: Benjamin, Stieglitz, and the Medium of Photography, The German Quarterly 88, no.33 (Sep 2015): 271–290.https://doi.org/10.1111/gequ.10237Ian Fillis The production and consumption activities relating to the celebrity artist, Journal of Marketing Management 31, no.5-65-6 (Dec 2014): 646–664.https://doi.org/10.1080/0267257X.2014.988281Valentina Napolitano Anthropology and traces, Anthropological Theory 15, no.11 (Mar 2015): 47–67.https://doi.org/10.1177/1463499614554239Tobias Menely Anthropocene Air, the minnesota review 2014, no.8383 (Nov 2014): 93–101.https://doi.org/10.1215/00265667-2782279Annamma Joy, Jeff Jianfeng Wang, Tsang-Sing Chan, John F. Sherry, Geng Cui M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions, Journal of Retailing 90, no.33 (Sep 2014): 347–364.https://doi.org/10.1016/j.jretai.2014.01.002Lorena Rizzo Visual Impersonation — Population Registration, Reference Books and Identification in the Eastern Cape, 1950s–1960s, History in Africa 41 (Feb 2014): 221–248.https://doi.org/10.1017/hia.2014.2 Introduction, (Jan 2014): 1–25.https://doi.org/10.1215/9780822377313-001 Photography between Desire and Grief, (Jan 2014): 29–46.https://doi.org/10.1215/9780822377313-002 Making Sexuality Sensible, (Jan 2014): 47–70.https://doi.org/10.1215/9780822377313-003 Sepia Mutiny, (Jan 2014): 71–92.https://doi.org/10.1215/9780822377313-004 Skin, Flesh, and the Affective Wrinkles of Civil Rights Photography, (Jan 2014): 93–123.https://doi.org/10.1215/9780822377313-005 Looking Pleasant, Feeling White, (Jan 2014): 127–157.https://doi.org/10.1215/9780822377313-006 Anticipating Citizenship, (Jan 2014): 158–180.https://doi.org/10.1215/9780822377313-007 Regarding the Pain of the Other, (Jan 2014): 181–203.https://doi.org/10.1215/9780822377313-008 Accessible Feelings, Modern Looks, (Jan 2014): 204–236.https://doi.org/10.1215/9780822377313-009 Trauma in the Archive, (Jan 2014): 239–251.https://doi.org/10.1215/9780822377313-010 School Photos and Their Afterlives, (Jan 2014): 252–272.https://doi.org/10.1215/9780822377313-011 Photographing Objects as Queer Archival Practice, (Jan 2014): 273–296.https://doi.org/10.1215/9780822377313-012 Topographies of Feeling, (Jan 2014): 297–324.https://doi.org/10.1215/9780822377313-013 The Feeling of Photography, the Feeling of Kinship, (Jan 2014): 325–348.https://doi.org/10.1215/9780822377313-014 Epilogue, (Jan 2014): 349–355.https://doi.org/10.1215/9780822377313-015 Bibliography, (Jan 2014): 357–384.https://doi.org/10.1215/9780822377313-016 Contributors, (Jan 2014): 385–388.https://doi.org/10.1215/9780822377313-017Bjørn Schiermer Aura, cult value, and the postmodern crowd: a Durkheimian reading of Walter Benjamin's artwork essay, Distinktion: Journal of Social Theory 14, no.22 (Dec 2012): 191–210.https://doi.org/10.1080/1600910X.2012.738609Lorena Rizzo Shades of Empire: Police Photography in German South-West Africa, Visual Anthropology 26, no.44 (Jul 2013): 328–354.https://doi.org/10.1080/08949468.2013.804701Nathan Clarkson Aura, aurora and aurality: the narrative of place in Picture of Light, Brno Studies in English 39, no.22 (Jan 2013): 71–88.https://doi.org/10.5817/BSE2013-2-5David Lovekin Looking and Seeing, Bulletin of Science, Technology & Society 32, no.44 (Aug 2012): 273–286.https://doi.org/10.1177/0270467612462341Jillian M. Rickly-Boyd Authenticity & aura, Annals of Tourism Research 39, no.11 (Jan 2012): 269–289.https://doi.org/10.1016/j.annals.2011.05.003Sonia Hofkosh Early Photography's Late Romanticism, European Romantic Review 22, no.33 (Jun 2011): 293–304.https://doi.org/10.1080/10509585.2011.564450Michael D'Arcy Indifferent Memory: Beckett, Naipaul, and the Task of Textuality, Journal of Beckett Studies 19, no.11 (Apr 2010): 56–77.https://doi.org/10.3366/E0309520709000442Brigid Doherty Between the Artwork and its 'Actualization': a Footnote to Art History in Benjamin's 'Work of Art' Essay, Paragraph 32, no.33 (Nov 2009): 331–358.https://doi.org/10.3366/E0264833409000637Michael W. Jennings The Mausoleum of Youth: Between Experience and Nihilism in Benjamin's Berlin Childhood, Paragraph 32, no.33 (Nov 2009): 313–330.https://doi.org/10.3366/E0264833409000662
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