This Safer Space: Janelle Monáe's “Cold War”
2011; Wiley; Volume: 23; Issue: 4 Linguagem: Inglês
10.1111/j.1533-1598.2011.01303.x
ISSN1533-1598
Autores Tópico(s)American Political and Social Dynamics
ResumoJournal of Popular Music StudiesVolume 23, Issue 4 p. 393-411 This Safer Space: Janelle Monáe's “Cold War” Shana L. Redmond, Shana L. Redmond University of Southern CaliforniaSearch for more papers by this author Shana L. Redmond, Shana L. Redmond University of Southern CaliforniaSearch for more papers by this author First published: 22 December 2011 https://doi.org/10.1111/j.1533-1598.2011.01303.xCitations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Attali, Jacques. Noise: The Political Economy of Music. 1977. Minneapolis : U of Minnesota P, 1985. Bradby, Barbara. Sampling Sexuality: Gender, Technology and the Body in Dance Music. Popular Music 12. 2 (1993): 155– 76. Brooks, Daphne A. Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910. Durham , NC : Duke UP, 2006. Brown, Jayna. Babylon Girls: Black Women Performers and the Making of the Modern. Durham , NC : Duke UP, 2008. Edwards, Erica R. “Moses, Monster of the Mountain: Gendered Violence in Black Leadership's Gothic Tale. Callaloo 31.4 (2008): 1084– 102. Eisenhower, Dwight D. “Address at the Annual Convention of the National Junior Chamber of Commerce, Minneapolis, Minnesota.” 10 June 1953. The American Presidency Project. Web. 7 Sept. 2011. . Field, Douglas. “Passing as a Cold War Novel: Anxiety and Assimilation in James Baldwin's Giovanni's Room. American Cold War Culture. Ed. Field Douglas. Edinburgh , UK : Edinburgh UP Ltd., 2005. 88– 107. Gilmore, Ruth Wilson. “Fatal Couplings of Power and Difference: Notes on Geography and Racism. The Professional Geographer 54.1 (2002): 15– 24. Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination. 1997. Minneapolis : U of Minnesota P, 2008. Hall, Stuart. “Race, Culture, and Communications: Looking Backward and Forward at Cultural Studies. Rethinking Marxism 5.1: 10– 18. Harvey, Eric. “What the Hell is Going On? Contemplating the Possible Genius of Janelle Monáe's ‘Tightrope’ Video.” http://VillageVoice.com. 24 June 2010. Web. 9 Sept. 2010. . Hine, Darlene Clark. “Rape and the Inner Lives of Black Women in the Middle West: Preliminary Thoughts on the Culture of Dissemblance. Signs 14.4 (1989): 912– 20. Hunter, Tera. To 'Joy my Freedom: Southern Black Women's Lives and Labors After the Civil War. Cambridge , MA : Harvard UP, 1997. Iton, Richard. In Search of the Black Fantastic: Politics and Popular Culture in the Post–Civil Rights Era. New York : Oxford UP, 2008. Jordan, June. “Poem for South African Women. Directed by Desire: The Collected Poems of June Jordan. Port Townsend , WA : Copper Canyon P, 2007. 278– 79. Kelley, Robin D. G. Freedom Dreams: The Black Radical Imagination. Boston : Beacon P, 2002. Lightning, Chuck. “‘I Have a Scream: Janelle Monáe's Millenial Insurrection.” Panel Discussion. Post-45 Conference: Cleveland , OH . 29 Apr. 2011. Lorde, Audre. “The Uses of the Erotic: The Erotic as Power. The Lesbian and Gay Studies Reader. Ed. Henry Abelove, Michéle Aina Barale, David M. Halperin. New York : Routledge, 1993. 339– 43. McAdam, Doug. Political Process and the Development of Black Insurgency, 1930–1970. 1982. 2nd ed. Chicago : U of Chicago P, 1999. McKittrick, Katherine. “‘Black and 'Cause I’m Black I’m Blue: Transverse Racial Geographies in Toni Morrison's The Bluest Eye. Gender, Place & Culture 7.2 (2000a): 125– 42. McKittrick, Katherine. “Who Do You Talk to, When a Body's in Trouble? M. Nourbese Philip's (Un)Silencing of Black Bodies in the Diaspora. Social and Cultural Geography 1.2 (2000b): 223– 36. McKittrick, Katherine. Demonic Grounds: Black Women and the Cartographies of Struggle. Minneapolis : U of Minnesota P, 2006. Miller-Young, Mireille. “Hip-Hop Honey and Da Hustlaz: Black Sexualities in the New Hip Hop Pornography. Meridians: Feminism, Race, Transnationalism 8.1 (2007): 261– 92. National Public Radio (NPR). “Janelle Monáe: Dreaming in Science Fiction.” Interview with Janelle Monáe. 14 May 2010. Web. 6 Sept. 2011. . Neon Limelight. “Neon Limelight Exclusive: Janelle Monáe Talks New Album at SYTYCD.” Interview with Janelle Monáe. 7 August 2010. Web. 9 Sept. 2010. . Nylon Magazine TV. “Nylon TV + Janelle Monáe.” Interview with Janelle Monáe. 29 July 2010. Web. . Reid-Brinkley, Shanara R. “The Essence of Res(ex)pectability: Black Women's Negotiation of Black Femininity in Rap Music and Music Video. Meridians: Feminism, Race, Transnationalism 8.1 (2008): 236– 60. Smith, Geoffrey S. “National Security and Personal Isolation: Sex, Gender, and Disease in the Cold-War United States. The International History Review 14.2 (1992): 307– 37. Vanity Fair . “Best Dressed List” (September 2011). Web. 21 Aug. 2011. . Filmography/Discography Monáe, Janelle. The ArchAndroid. Atlantic Records/Bad Boy: B002ZFQD0E, 2010. Youtube. “D’Angelo-Untitled.” Warning page. Web. 9 September 2010. . Citing Literature Volume23, Issue4December 2011Pages 393-411 ReferencesRelatedInformation
Referência(s)