Artigo Revisado por pares

Mega Screens for Mega Cities

2013; SAGE Publishing; Volume: 30; Issue: 7-8 Linguagem: Inglês

10.1177/0263276413503691

ISSN

1460-3616

Autores

Nikos Papastergiadis, Scott McQuire, Xin Gu, Amelia Barikin, Ross Gibson, Audrey Yue, Sun Jung, Cecelia Cmielewski, Soh Yeong Roh, Matt Jones,

Tópico(s)

Spatial and Cultural Studies

Resumo

This article considers how networked large urban screens can act as a platform for the creation of an experimental transnational public sphere. It takes as a case study a specific Australia-Korea cultural event that linked large screens in Federation Square, Melbourne, and Tomorrow City, Incheon, 1 through the presentation of SMS-based interactive media art works. The article combines theoretical analyses of global citizenship, mobility, digital technologies, and networked public space with empirical analyses of audience response research data collected during the screen event. The central argument is that large public screens can offer a strategic site for examining transformations in the constitution of public agency in a digitized, globalized environment. The idea of ‘aesthetic cosmopolitanism’ is finally proposed as a conceptual framework for understanding how new forms of transnational public agency in mediated public spaces might operate.

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