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The Traumatic Temporality of Art Spiegelman's In the Shadow of No Towers

2007; Wiley; Volume: 40; Issue: 5 Linguagem: Inglês

10.1111/j.1540-5931.2007.00458.x

1540-5931

Martha Kuhlman,

Narrative Theory and Analysis

The Journal of Popular CultureVolume 40, Issue 5 p. 849-866 The Traumatic Temporality of Art Spiegelman's In the Shadow of No Towers MARTHA KUHLMAN, MARTHA KUHLMAN Bryant UniversitySearch for more papers by this author MARTHA KUHLMAN, MARTHA KUHLMAN Bryant UniversitySearch for more papers by this author First published: 20 September 2007 https://doi.org/10.1111/j.1540-5931.2007.00458.xCitations: 15Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Caruth, Cathy. Unclaimed Experience: Trauma, Narrative and History. Baltimore: Johns Hopkins UP, 1996. 1– 10. Friedlander, Saul. Trauma, Transference and ‘Working Through’. History and Memory 4 (1992): 39– 59. Groensteen, Thierry. Système de la Bande Dessinée. Paris: PUF, 1999. Groensteen, Thierry. Un premier Bouquet de Contraintes. OuBaPo: Ouvroir de Bande Dessinée Potentielle 1 (1997): 13– 59. Groensteen, Thierry. The System of Comics. Trans. Bart Beaty and Nick Nguyen Jackson: U of Mississippi P, 2007. Hirsch, Marianne. Editor's Column: Collateral Damage. Publications of the Modern Language Association of America 119 (2004): 1209– 15. Kartalopoulos, William. “A Raw History: The Magazine.”Indy Magazine Winter 2005. 4 Sept. 2005 〈http://64.23.98.142/indy/winter_2005/raw_02/index.html〉. Laub, Dori. Bearing Witness, or, the Vicissitudes of Listening. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. New York: Routledge, 1992: 57– 74. Leventhal, Robert S. “Art Spiegelman's MAUS: Working-Through the Trauma of the Holocaust.” 1995. 4 Sept. 2005 〈http://jefferson.village.virginia.edu/holocaust/spiegelman.html〉. McGlothlin, Erin. No Time Like the Present: Narrative and Time in Art Spiegelman's Maus. Narrative 11 (2003): 177– 98. Pappu, Sridhar. “Spiegelman Splits From The New Yorker.”The New York Observer 6 Jan. 2003: 6. Proquest. Pfefferman, Naomi. “Drawing on Sept. 11th.” 10 Oct. 2004. The Jewish Journal of Greater Los Angeles. 4 Sept. 2005 〈http://www.jewishjournal.com〉. Raeburn, Daniel. Chris Ware. New Haven: Yale UP, 2004. Singer, Marc. Invisible Order: Comics, Time and Narrative. International Journal of Comic Art 1 (1999): 29– 40. Spiegelman, Art. “Art Spiegelman in the Studio.” Interview with Todd Hignite. Comic Art. Winter (2004): 32–47. Spiegelman, Art. “Art Spiegelman: le juif de New York.” Interview with Benoît Peeters. Bang: Bande dessinée Images actualité. Brussels, July 2004: 12–25. Spiegelman, Art. Comix, Essays, Graphics and Scraps. Exhibition catalogue Kulturgeschichtliches Museum, Osnabrück-Felix Nussbaum Haus. Curator Natalia Indrimi New York: Raw Books & Graphics, 1998. Spiegelman, Art. “Ephemera and the Apocalypse.” Transcript of speech at Cooper Union, New York City. 10 Sept. 2004. Autumn 2004. 14 July 2007 〈http://64.23.98.142/indy/autumn_2004/spiegelman_ephemera/〉. Spiegelman, Art. Interview with Glenn Sumi. Now Toronto 14 Oct. 2004. 4 Sept. 2005 〈http://www.nowtoronto.com/issues/2004-10-21/cover_story.php〉. Spiegelman, Art. In the Shadow of No Towers. New York: Pantheon, 2004. Spiegelman, Art. Maus I: My Father Bleeds History. New York: Pantheon, 1986. Spiegelman, Art. Maus II: And Here My Troubles Began. New York: Pantheon, 1989. Spiegelman, Art. Working in the Shadows: Spiegelman on hope and hopelessness.” Interview with Gary Groth. The Comics Journal 4 (2004): 45– 51. Walker, Brian. The Comics Before 1945. New York: Harry Abrams, 2004. Young, James. The Holocaust as Vicarious Past: Art Spiegelman's Maus and the Afterimages of History. Critical Inquiry 24 (1998): 666– 99. Citing Literature Volume40, Issue5October 2007Pages 849-866 ReferencesRelatedInformation