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Liber de Coloribus Illuminatorum Siue Pictorum from Sloane Ms. No. 1754

1926; University of Chicago Press; Volume: 1; Issue: 3 Linguagem: Romeno

10.2307/2847412

2040-8072

Douglas Thompson,

Historical and Religious Studies of Rome

Previous articleNext article FreeLiber de Coloribus Illuminatorum Siue Pictorum from Sloane Ms. No. 1754Daniel Varney Thompson, Jr.Daniel Varney Thompson, Jr. Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Speculum Volume 1, Number 3Jul., 1926 The journal of the Medieval Academy of America Article DOIhttps://doi.org/10.2307/2847412 Views: 18Total views on this site Citations: 14Citations are reported from Crossref Copyright 1926 The Mediaeval Academy of AmericaPDF download Crossref reports the following articles citing this article:Richard Gameson, Catherine Nicholson, and Andrew Beeby The Admiral, the Virgin, and the Spectrometer: Observations on the Coëtivy Hours (Dublin, Chester Beatty Library, MS W082), Gesta 59, no.22 (Oct 2020): 203–231.https://doi.org/10.1086/710024Guido Frison, Giulia Brun Compositiones Lucenses and Mappæ Clavicula: two traditions or one? New evidence from empirical analysis and assessment of the literature, Heritage Science 6, no.11 (Apr 2018).https://doi.org/10.1186/s40494-018-0189-yStefanos Kroustallis, Marisa Gómez González, Matilde Miquel Juan, Rocío Bruquetas Galán, Olga Pérez Monzón Gilding in Spanish panel painting from the fifteenth and early sixteenth centuries, Journal of Medieval Iberian Studies 8, no.22 (Sep 2016): 313–343.https://doi.org/10.1080/17546559.2016.1230273Anne Leturque L'art d'enluminer :, Pecia 19 (Jan 2016): 87–123.https://doi.org/10.1484/J.PECIA.5.114331Claudine Brunon Le cornet à encre et à couleurs, Pecia 19 (Jan 2016): 125–156.https://doi.org/10.1484/J.PECIA.5.114332Stefanos Kroustallis Quomodo decoretur pictura librorum: materiales y técnicas de la iluminación medieval, Anuario de Estudios Medievales 41, no.22 (Feb 2012): 775–802.https://doi.org/10.3989/aem.2011.v41.i2.371Nigel J. Morgan, Rodney M. Thomson The Cambridge History of the Book in Britain, 2 (Nov 2008).https://doi.org/10.1017/CHOL9780521782180Nigal Morgan Illumination – pigments, drawing and gilding, (Mar 2008): 84–95.https://doi.org/10.1017/CHOL9780521782180.008David A. Scott, Narayan Khandekar, Michael R. Schilling, Nancy Turner, Yoko Taniguchi, Herant Khanjian Technical Examination of a Fifteenth-Century German Illuminated Manuscript on Paper: A Case Study in the Identification of Materials, Studies in Conservation 46, no.22 (Sep 2019): 93–108.https://doi.org/10.1080/00393630.2001.12071697 Rozelle Parker Johnson The Manuscripts of the Schedula of Theophilus Presbyter, Speculum 13, no.11 (Oct 2015): 86–103.https://doi.org/10.2307/2848834 Daniel V. Thompson, Jr. More Medieval Color-Making: Tractatus de Coloribus from Munich, Staatsbibliothek, MS. Latin 444, Isis 24, no.22 (Oct 2015): 382–396.https://doi.org/10.1086/347037 W. J. Wilson An Alchemical Manuscript by Arnaldus de Bruxella, Osiris 2 (Oct 2015): 220–405.https://doi.org/10.1086/368461 Daniel V. Thompson, Jr. Trial Index to Some Unpublished Sources for the History of Mediaeval Craftsmanship, Speculum 10, no.44 (Oct 2015): 410–431.https://doi.org/10.2307/2846778 Daniel V. Thompson, Jr. The Schedula of Theophilus Presbyter, Speculum 7, no.22 (Oct 2015): 199–220.https://doi.org/10.2307/2850759