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“Living in the Funnies”: Metafiction in American Comic Strips

2014; Wiley; Volume: 47; Issue: 4 Linguagem: Inglês

10.1111/jpcu.12163

1540-5931

González López,

Digital Games and Media

The Journal of Popular CultureVolume 47, Issue 4 p. 838-856 Article “Living in the Funnies”: Metafiction in American Comic Strips Jesus A. Gonzalez, Jesus A. GonzalezSearch for more papers by this author Jesus A. Gonzalez, Jesus A. GonzalezSearch for more papers by this author First published: 08 August 2014 https://doi.org/10.1111/jpcu.12163Citations: 3Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975. Print. Barth, John. “The Literature of Exhaustion” Atlantic Monthly February (1967): 41– 59. Print. Chandler, Daniel. Semiotics for Beginners. Web. 2 Jan. 2011. Eisner, Will. Comics and Sequential Art. Tamarac, FL: Poorhouse, 1985. Print. Fiske, John. Television Culture. London: Routledge, 1987. Print. Gass, William. Fiction and the Figures of Life. New York: Knopf, 1970. Print. Genette, Gérard. Palimpsests: Literature in the Second Degree. Lincoln: U of Nebraska P, 1997. Print. Hornby, Richard. Drama, Metadrama and Perception. London: Associated University Presses & Bucknell UP, 1986. Print. Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. London: Routledge, 1984. Print. Inge, M. Thomas. “Form and Function in Metacomics: Self-Reflexivity in the Comic Strips.” Studies in Popular Culture 13.2 (1991): 1– 10. Print. Jones, Matthew T. “Reflexivity in Comic Art.” International Journal of Comic Art, 7.1 (2005): 270– 86. Print. Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. New York: Columbia U P, 1980. Print. Lodge, David. The Art of Fiction. London: Penguin, 1992. Print. Malki, David. Wondermark. Web. 28 May 2014. McCloud, Scott. Understanding Comics: The Invisible Art. Northampton, MA: Tundra, 1993. Print. McDonnell, Patrick. Krazy Kat: The Comic Art of George Herriman. New York: Abrams, 1986. Print. McDonnell, Patrick. Mutts. Web. 28 May 2014. Oliver, José A. and Magdalena Capó. “ Calvin y Hobbes: Un ejemplo de intertextualidad en el cómic.” Tonos: Revista Electrónica de Estudios Filológicos. Nov. 2002. Web. 2 Jan. 2011. Pardo, Pedro Javier. “La metaficción de la literatura al cine: La anagnórisis metaficcional de Niebla a Abre los ojos.” Celehis 22 (2011). Web. 28 May 2014. Pastis, Stephan. Pearls Before Swine: Sgt. Piggy's Hearts Club Comic. Kansas City: Andrews McMeel, 2003. Print. Pastis, Stephan. Lions and Tigers and Crocs, Oh My! Kansas City: Andrews McMeel, 2006. Print. Pastis, Stephan. Pearls Sells Out. Kansas City: Andrews McMeel, 2009. Print. Pastis, Stephan. Larry in Wonderland. Kansas City: Andrews McMeel, 2010. Print. Pastis, Stephan. Pearls Blows Up. Kansas City: Andrews McMeel, 2011. Print. Pérez, Bowie, and José Antonio. “El cine en, desde y sobre el cine: metaficción, reflexividad e intertextualidad en la pantalla.” Metaliteratura y metaficción: Balance crítico y perspectivas comparadas. Spec. issue of Anthropos 208 (2005): 122– 37. Print. Schmeling, Manfred. Métathéâtre et Intertexte. Aspects du théâtre dans le théâtre. Paris: Lettres Modernes, 1982. Print. Scholes, Robert. “Metafiction.” Iowa Review 1.4 (1970): 100– 15. Print. Szczepanik, Petr. “Intermediality and (Inter)media Reflexivity in Contemporary Cinema.” Convergence 8.4 (2002): 29– 36. Print. Stam, Robert. Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard. Ann Arbor: U Michigan Research P, 1985. Print. Stam, Robert, Robert, Burgoyne and Sandy Flitterman-Lewis. New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond. London: Routledge, 1992. Print. Universal Uclick. Web. 28 May 2014. Varillas, Rubén. “Un acercamiento al metacómic: Reflexión, autoparodia y experimentación.” Metaliteratura y metaficción: Balance crítico y perspectivas comparadas. Spec. issue of Anthropos 208 (2005): 152– 66. Print. Varillas, Rubén. La arquitectura de las viñetas: Texto y discurso en el cómic. Sevilla: Viaje a Bizancio, 2009. Print. Walker, Brian. The Comics Since 1945. New York: Abrams, 2002. Print. Walker, Mort, and Jerry Dumas. Sam's Strip: The Comic About Comics. Seattle: Fantagraphic, 2008. Print. Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984. Print. Citing Literature Volume47, Issue4August 2014Pages 838-856 ReferencesRelatedInformation