New Ethnographic Film in the New C hina
2014; Wiley; Volume: 30; Issue: 1 Linguagem: Inglês
10.1111/var.12026
ISSN1548-7458
Autores Tópico(s)Cultural Identity and Heritage
ResumoVisual Anthropology ReviewVolume 30, Issue 1 p. 1-10 SPECIAL ISSUE: NEW ETHNOGRAPHIC FILM IN CHINA New Ethnographic Film in the New China Maris Boyd Gillette, Maris Boyd GilletteSearch for more papers by this author Maris Boyd Gillette, Maris Boyd GilletteSearch for more papers by this author First published: 28 May 2014 https://doi.org/10.1111/var.12026Citations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Abstract Over the past two decades, a new ethnographic cinema of China has taken shape, one element of an explosion of documentaries produced about the People's Republic. In this volume, five China ethnographers discuss making ethnographic films in China, thus addressing in part the need, long noted in anthropology, for filmmakers to write about production and postproduction of ethnographic films. In this introduction, I sketch a history of ethnographic films about China and reflect on these five new ethnographic films in light of past practices, the theoretical literature on ethnographic cinema, and the ethnography of China. References Anagnost, Ann 1985 Hegemony and the Improvisation of Resistance: Political Culture and Popular Practice in Contemporary China. Ph.D. dissertation, UMI Dissertations. Google Scholar Anagnost, Ann 1987 Politics and Magic in Contemporary China. 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