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Icons of the Alternate Culture: The Themes and Functions of Underground Comix*

1975; Wiley; Volume: 8; Issue: 4 Linguagem: Inglês

10.1111/j.0022-3840.1975.00836.x

1540-5931

Clinton R. Sanders,

Cultural Industries and Urban Development

The Journal of Popular CultureVolume 8, Issue 4 p. 836-852 Icons of the Alternate Culture: The Themes and Functions of Underground Comix* Clinton R. Sanders, Clinton R. Sanders Mr. Sanders is an Assistant Professor in the Department of Sociology, Temple University, Philadelphia.Search for more papers by this author Clinton R. Sanders, Clinton R. Sanders Mr. Sanders is an Assistant Professor in the Department of Sociology, Temple University, Philadelphia.Search for more papers by this author First published: Spring 1975 https://doi.org/10.1111/j.0022-3840.1975.00836.xCitations: 3 * An earlier version of this paper was presented at the third national meeting of the Popular Culture Association, Indianapolis, April 1973. AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Bakwin, Ruth M. (1953), “The Comics,”Journal of Pediatrics, Vol. 42, No. 5 (May), pp. 633–635. Barnett, James (1959), “ The Sociology of Art,”in Robert Merton, et al. (eds.) Sociology Today, Vol. 1, New York : Harper, pp. 197–214. Bensman, Joseph and Israel Gerver (1970), “ Art and the Mass Society,”in Milton Albrecht, et al. (eds.), The Sociology of Art and Literature: A Reader, New York : Praeger, pp. 660–668. 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