A Power Stronger Than Itself: The AACM and American Experimental Music by George E. Lewis
2009; Wiley; Volume: 21; Issue: 2 Linguagem: Inglês
10.1111/j.1533-1598.2009.01185_1.x
ISSN1533-1598
Autores Tópico(s)Musicology and Musical Analysis
ResumoJournal of Popular Music StudiesVolume 21, Issue 2 p. 247-254 A Power Stronger Than Itself: The AACM and American Experimental Music by George E. Lewis Kevin Bell, Kevin Bell SUNY AlbanySearch for more papers by this author Kevin Bell, Kevin Bell SUNY AlbanySearch for more papers by this author First published: 31 May 2009 https://doi.org/10.1111/j.1533-1598.2009.01185_1.xRead the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Braxton, Anthony. Tri-Axium Writings, Vol. 1. Dartmouth : Synthesis/Frog's Peak, 1985. Eshun, Kodwo. More Brilliant Than the Sun: Adventures in Sonic Fiction. London : Quartet, 1998. Feather, Leonard. Blindfold Test—Phil Woods. Down Beat, 14 Oct. 1971. Hentoff, Nat. The New Jazz: Black, Angry, and Hard to Understand. New York Times Magazine, 23 Dec. 1966, 34–39. Litweiler, John. The Freedom Principle: Jazz after 1958. New York : Da Capo, 1990. Tynan, John. Review of Free Jazz (by Ornette Coleman). Down Beat, 18 Jan. 1962. Wilmer, Valerie. As Serious As Your Life: John Coltrane and Beyond. London : Alison & Busby, 1977. Volume21, Issue2June 2009Pages 247-254 ReferencesRelatedInformation
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