Systems, Architecture & The Digital Body: From Alphaville to The Matrix
2008; Taylor & Francis; Volume: 14; Issue: 3 Linguagem: Inglês
10.1080/13534640802159153
ISSN1460-700X
Autores Tópico(s)Architecture and Computational Design
ResumoClick to increase image sizeClick to decrease image size Notes Acknowledgement: Sincere thanks to Debby Ray, RIBA, AIA for help and advice with the architectural aspects of this paper. 1. Elizabeth Grosz, Architecture from the Outside, Essays on Virtual and Real Space (Cambridge, MA: The MIT Press, 2001), p.14. 2. Metropolis. Dir Fritz Lang (Universum Film (UFA), 1927). 3. John R Gold, The Experience of Modernism: Modern Architects and the Future City (London: EandFN Spon, 1997), p.42. 4. Le Corbusier, The Radiant City [1933] (London: Faber and Faber, 1964), p.36. 5. Kristin Ross, Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture (Cambridge, MA: The MIT Press, 1998), p.4. 6. Kristin Ross, Fast Cars, Clean Bodies, p.8. 7. Kristin Ross, Fast Cars, Clean Bodies, p.78. 8. Elizabeth Grosz, Architecture from the Outside, p.108. 9. Steve Pile, The Body and the City: Psychoanalysis, Space and Subjectivity (London: Routledge, 1996), p.244. 10. Elizabeth Grosz, Architecture from the Outside, p.107. 11. Ian Wiblin, ‘The Space Between: Photography, Architecture and the Presence of Absence’, in Cinema and Architecture: Méliès, Mallet‐Stevens, Multimedia, ed. François Penz and Maureen Thomas (London: BFI, 1997), pp.104–112 (p.109). 12. Alphaville: en étrange aventure de Lemmy Caution. Jean‐Luc Godard (Athos Films, 1965). 13. Chris Darke, ‘It All Happened in Paris’, Sight and Sound, 4:7 (July 1994), pp.10–12 (p.11). 14. Royal S. Brown, ‘Alphaville’, Cinéaste 22:1 (Winter, 1996), p.52. 15. Richard Roud, ‘Anguish: Alphaville’, Sight and Sound, 34:4 (Autumn, 1965), pp.164–66 (p.166). 16. Royal S. Brown, ‘Alphaville’, p.55. 17. Lee Hilliker, ‘The History of the Future in Paris: Chris Marker and Jean‐Luc Godard in the 1960s’, Film Criticism, 24:3 (2000), pp.1–22 (p.1). 18. Lee Hilliker, ‘The History of the Future in Paris’, p.2. 19. Colin MacCabe, with Mick Eaton and Laura Mulvey, Godard: Images, Sounds, Politics (London: Macmillan, 1980), p.51. 20. Kristin Ross, Fast Cars, Clean Bodies, p.38. 21. Norma Evenson, Paris: A Century of Change, 1878–1978 (New Haven: Yale University Press, 1979), p.238. 22. Norma Evenson, Paris: A Century of Change, 1878–1978, pp.246–47. 23. Richard Roud, ‘Anguish: Alphaville’, p.166. 24. Henri Lefebvre, The Production of Space, trans. Donald Nicholson‐Smith (Malden, MA: Blackwell, 1991), p.97. 25. Henri Lefebvre, The Production of Space, p.98. 26. Siegfried Kracauer, Theory of Film: The Redemption of Physical Reality (New York: Oxford University Press, 1960), p.64. 27. Steven Shaviro, The Cinematic Body (Minneapolis: University of Minnesota Press, 1993), p.41. 28. Siegfried Kracauer, Theory of Film, p.71. 29. Steven Shaviro, The Cinematic Body, p.53. 30. Steven Shaviro, The Cinematic Body, pp.53–54. 31. Steven Shaviro, The Cinematic Body, p.44. 32. Michel Foucault, ‘Of Other Spaces’, Diacritics, 16:1 (1986), pp.22–27 (p.25). 33. Michel Foucault, ‘Of Other Spaces’, p.24. 34. The Matrix. Andy and Larry Wachowski (Groucho II Film Partnership, 1999). 35. Peter Brunette and David Wills, ‘The Spatial Arts: An Interview with Jacques Derrida’, in Deconstruction and the Visual Arts: Art, Media, Architecture, ed. Peter Brunette and David Wills (Cambridge: Cambridge University Press, 1994), pp.1–32 (p.24). 36. Peter Brunette and David Wills, ‘The Spatial Arts: An Interview with Jacques Derrida’, p.25. 37. Paul Crowther, ‘Beyond Art and Philosophy: Deconstruction and the Post‐Modern Sublime’, in The New Modernism: Deconstructionist Tendencies in Art, ed. Andreas C. Papadakis (London: Art and Design [The Academy Group], 1988), pp.47–52 (p.52). 38. Paul Crowther, ‘Beyond Art and Philosophy: Deconstruction and the Post‐Modern Sublime’, p.52. 39. Paul Crowther, ‘Beyond Art and Philosophy: Deconstruction and the Post‐Modern Sublime’, p.52. 40. N. Katherine Hayles, How We Became Posthuman: Cybernetics, Literature and Informatics (Chicago: University of Chicago Press, 1999), p.5. 41. Donna J. Haraway, ‘A Cyborg Manifesto: Science, Technology, and Socialist‐Feminism in the Late Twentieth Century’, in Simians, Cyborgs and Women: The Reinvention of Nature (London: Free Association, 1991), pp.149–82 (p.177). 42. David B Clarke, ‘Introduction: Previewing the Cinematic City’, in The Cinematic City, ed. David B. Clarke (London: Routledge, 1997), pp.1–18 (p.9). 43. Jean Baudrillard, Simulations, trans. Paul Foss, Paul Patton and Philip Beitchman (New York: Semiotext(e), 1983), p.53. 44. Donna J. Haraway, ‘A Cyborg Manifesto’, p.175. 45. Anthony Vidler, ‘The Explosion of Space: Architecture and The Filmic Imaginary’, in Film Architecture: Set Designs from Metropolis to Blade Runner, ed. Deitrich Neumann (Munich: Prestel, 1996), pp.13–25 (p.24). 46. Elizabeth Grosz, Architecture from the Outside, p.118. 47. The Matrix: Capturing the Action, Bullet‐Time Photography, ⟨http://www.filmscouts.com/SCRIPTs/matinee.cfm?Film = matrixandFile = bul‐tim⟩ [15/03/08]. 48. The Matrix: Capturing the Action, Bullet‐Time Photography, ⟨http://www.filmscouts.com/SCRIPTs/matinee.cfm?Film = matrixandFile = bul‐tim⟩ [15/03/08]. 49. Michael Menser, ‘Becoming‐Heterarch: On Technological Theory, Minor Science, and the Production of Space’, in Techno Science and Cyber Culture, ed. Stanley Aronowitz, Barbera Martinson and Michael Menser (London: Routledge, 1996), pp.293–316 (p.300). 50. Donna J. Haraway, ‘A Cyborg Manifesto’, p.150. 51. Donna J. Haraway, ‘A Cyborg Manifesto’, p.175. 52. Andrew Ross, ‘Hacking Away at the Counter Culture’, in The Cybercultures Reader, ed. David Bell and Barbara M Kennedy (London and New York: Routledge, 2000), pp.254–67 (p.256). 53. William Gibson, Neuromancer (London: Grafton Books, 1986). 54. Anne Friedberg, Window Shopping: Cinema and the Postmodern (Berkeley: University of California Press, 1993), p.3. 55. Anthony Vidler, ‘The Explosion of Space’, p.21. 56. Elizabeth Grosz, Architecture from the Outside, p.78. 57. Elizabeth Grosz, Architecture from the Outside, p.78. 58. William Gibson, Neuromancer, p.67. 59. Michael Menser, ‘Becoming‐Heterarch’, p.305. 60. Lebbeus Woods, ‘The Question of Space’, in Techno Science and Cyber Culture, ed. Stanley Aronowitz, Barbera Martinson and Michael Menser (London: Routledge, 1996), pp.279–92 (p.286). 61. Lebbeus Woods, ‘The Question of Space’, p.286. 62. Lebbeus Woods, ‘The Question of Space’, p.287. 63. Lebbeus Woods, ‘The Question of Space’, p.286. 64. Elizabeth Grosz, Architecture from the Outside, p.116. 65. Michael Menser, ‘Becoming‐Heterarch’, p.300. 66. Donna J. Haraway, ‘A Cyborg Manifesto’, p.161.
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