Artigo Revisado por pares

The Quick and the Dead: Images, Time & Truth

1990; Wiley; Volume: 6; Issue: 2 Linguagem: Inglês

10.1525/var.1990.6.2.42

ISSN

1548-7458

Autores

Christopher Pinney,

Tópico(s)

Media, Communication, and Education

Resumo

SVA ReviewVolume 6, Issue 2 p. 42-54 The Quick and the Dead: Images, Time & Truth Christopher Pinney, Christopher Pinney Department of Anthropology & Sociology, School of Oriental and African Studies, University of London.Search for more papers by this author Christopher Pinney, Christopher Pinney Department of Anthropology & Sociology, School of Oriental and African Studies, University of London.Search for more papers by this author First published: September 1990 https://doi.org/10.1525/var.1990.6.2.42Citations: 8AboutPDF ToolsExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat References Agee, James and Walker Evans 1965 (1941) Let Us Now Praise Famous Men London : Peter. Google Scholar Owen Alpers, Svetlana 1983 The Art of Describing: Dutch Art in the Seventeenth Century. Chicago : University of Chicago Press. Google Scholar Ardener, Edwin 1987 Remote Areas: Some Theoretical Considerations” in A. Jackson (ed) Anthropology at Home ASA 25 London : Tavistock. Google Scholar Baker, Steve 1985 The Hell of Connotation Word and Image 1(2): 164–175. 10.1080/02666286.1985.10435673 Web of Science®Google Scholar Balikci, Asen 1988 Anthropologists and Ethnographic Filmmaking: A Personal View’ in J. R. Rollwagen(ed) Anthropological Filmmaking Chur : Harwood Academic Press. Google Scholar Barthes, Roland 1977 Rhetoric of the Image” in Image, Music, Text London : Fontana. Google Scholar Bateson, Gregory and Margaret Mead 1942 Balinese Character: A Photographic Analysis. New York : New York Academy of Sciences. Google Scholar Berger, John and Jean Mohr 1982 Another Way of Telling. London : Writers and Readers. Google Scholar Bourdieu, Pierre 1965 Un Art Moyen: Essai Sur Les Usages Sociaux de la Photographie. Paris : Editions de Minuit. Google Scholar Bourdieu, Pierre 1977 Outline of a Theory of Practice. Cambridge : Cambridge University Press. 10.1017/CBO9780511812507 Google Scholar Victor Burgin, (ed) 1982 Thinking Photography. Basingstoke : Macmillan. 10.1007/978-1-349-16716-6 Google Scholar Clifford, James 1988 (1983) ‘ On Ethnographic Authority” in The Predicament of Culture Cambridge , Mass . Harvard University Press. Web of Science®Google Scholar DE Certeau, Michel 1986 Heterologies: Discourse on the Other. Manchester : Manchester University Press. Web of Science®Google Scholar DE Man, Paul 1971 Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. New York : Oxford University Press. Google Scholar Derrida, Jacques 1976 Of Grammatology. Baltimore : Johns Hopkins University Press. Google Scholar Eberwein, Robert T. 1979 A Viewer's Guide to Film Theory and Criticism. Metuchen N.J. : Scarecrow Press. Google Scholar Eco, Umberto 1982 Critique of the Image” in V. Burgin (ed) Thinking Photography Basingstoke : Macmillan. 10.1007/978-1-349-16716-6_3 Google Scholar Fans, James C. 1988 “ART/artifact”: On the Museum and Anthropology Current Anthropology 29(5): 775–779. 10.1086/203701 Web of Science®Google Scholar Green, David 1985 Veins of Resemblance: Photography and Eugenics The Oxford Art Journal 7(2): 3–16. 10.1093/oxartj/7.2.3 Google Scholar Paul Hockings, (ed) 1975 Principles of Visual Anthropology. The Hague : Mouton. 10.1515/9783112415405 Google Scholar Jay, Martin 1986 ‘In The Empire of the Gaze” in L. Appignanesi (ed) Postmodernism! ICA Documents 4 London : ICA. Google Scholar Jay, Martin 1988 The Scopic Regimes of Modernity” in H. Foster (ed) Vision and Visuality Seattle : Bay Press/Dia Art Foundation. n.d. ‘Photo-unrealism: the contribution of the camera to the crisis of ocularcentrism’, unpublished ms. Google Scholar Jeffrey, Ian 1982 Photography: A Concise History. London : Thames and Hudson. Google Scholar Kakar, Sudhir 1980 The Ties that Bind: Family Relationships in the Mythology of Hindi Cinema India International Centre Quarterly 8(1): 11–22. Google Scholar Kirk, Malcolm 1981 Man as Art: New Guinea Body Decoration. London : Thames and Hudson. Google Scholar Krauss, Rosalind 1985a Photography's Discursive Spaces” in The Originality of the Avant Garde and Other Modernist Myths Cambridge , Mass. : M.I.T. Press. Google Scholar Krauss, Rosalind 1985b L'Amour Fou: Photography and Surrealism. New York : Abbeville. Google Scholar Levi-Strauss, Claude 1955 Tristes Tropiques. Paris : Librairie Plon. 10.2307/536768 Google Scholar Maclean, Robert M. 1979 Narcissus and the Voyeur: Three Books and Two Films The Hague : Mouton (Approaches to Semiotics 48). Google Scholar Mast, Gerald 1980 Kracauer's Two Tendencies and the Early History of Film Narrative” in W.J.T. Mitchell (ed) The Language of Images Chicago : University of Chicago Press. Google Scholar Metz, Christian 1985 Photography and Fetish October 34: 81–90. 10.2307/778490 Google Scholar O'Flaherty, Wendy Doniger 1984 Dreams, Illusion and Other Realities. Chicago : University of Chicago Press. 10.7208/chicago/9780226308098.001.0001 Google Scholar Penn, Irving 1980 (1974) Worlds in a Small Room. Google Scholar Poignant, Roslyn 1989 Getting the Picture. Axel Poignant's Photographic Record of a Threatened Fight in Amhem Land, 1952 Journal of Museum Ethnography 1: 15–34. Google Scholar Scharf, Aaron 1983 (1968) Art and Photography Harmondsworth : Penguin Books. Google Scholar Sontag, Susan 1966 (1964) Against Interpretation and Other Essays New York : Farrar. Google Scholar Strauss Giroux 1979 On Photography. Harmondsworth : Penguin Books. Google Scholar Sprague, Stephen 1978 Yoruba Photography: How the Yoruba See Themselves African Arts XII (1): 5–9, 107. Google Scholar Stange, Maren 1969 Symbols of Ideal Life: Social Documentary Photography in America 1890–1950. Cambridge : Cambridge University Press. Google Scholar Tagg, John 1988 The Burden of Representation: Essays on Photographies and Histories. Basingstoke : Macmillan. 10.1007/978-1-349-19355-4 Google Scholar Tomas, David 1988 Toward an Anthropology of Sight: Ritual performance and the photographic process Semiotica 68(3/4): 245–270. Web of Science®Google Scholar Trachtenberg, Alan 1985 Albums of War: On Reading Civil War Photographs Representations 9: 1–32. 10.1525/rep.1985.9.1.99p0395u Google Scholar Tyler, Stephen 1984 The Vision Quest in the West or What the Mind's Eye Sees Journal of Anthropological Research 40(1): 23–40. 10.1086/jar.40.1.3629688 Web of Science®Google Scholar Virilio, Paul 1989 War and Cinema: the Logistics of Perception. London : Verso. Google Scholar Ward, J.A. 1985 American Silences: the Realism of James Agee, Walker Evans and Edward Hopper. Baton Rouge : Louisiana State University Press. Google Scholar Citing Literature Volume6, Issue2September 1990Pages 42-54 ReferencesRelatedInformation

Referência(s)
Altmetric
PlumX