Portal de Periódicos da CAPES

SKY 'S THE LIMIT

2006; University of California Press; Volume: 60; Issue: 1 Linguagem: Inglês

10.1525/fq.2006.60.1.28

1533-8630

Daniel Herbert,

Cuban History and Society

ABSTRACT This essay examines the production circumstances of intertextual relations, and discursive contexts of Abre los Ojos (1997) and its remake Vanilla Sky (2001). Seen in combination, these films demonstrate a struggle for cultural power in a transnational field and provide notably different representations of transnational identities.