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West by Northwest: The Politics of Place in Ang Lee's Brokeback Mountain

2011; Wiley; Volume: 44; Issue: 4 Linguagem: Inglês

10.1111/j.1540-5931.2011.00868.x

1540-5931

Camille Johnson-Yale,

American Environmental and Regional History

The Journal of Popular CultureVolume 44, Issue 4 p. 890-907 West by Northwest: The Politics of Place in Ang Lee's Brokeback Mountain CAMILLE JOHNSON-YALE, CAMILLE JOHNSON-YALE Lake Forest CollegeSearch for more papers by this author CAMILLE JOHNSON-YALE, CAMILLE JOHNSON-YALE Lake Forest CollegeSearch for more papers by this author First published: 04 August 2011 https://doi.org/10.1111/j.1540-5931.2011.00868.xCitations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited “About Brokeback Mountain.” 7 Dec. 2005. Web. 7 Apr. 2006. “And the Winners are.”New York Times 12 Mar. 2006, sec. The Week: 2. Print. Augé, Marc. Non-Places: Introduction to an Anthropology of Supermodernity. London: Verso, 1995. Print. Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. Illuminations. Ed. Hannah Arendt. New York: Schocken Books, 1968. 217–51. Print. Bentham, Jon. “The Set-Jetters.”The Guardian (London) 17 Feb. 2006, sec. Film & Music: 6. Print. “Brokeback Raises Interest in Wyoming.”MSN.com 30 Jan. 2006. Web. 25 Feb. 2006. Burroughs, Alexandra. “‘Redneck’ Alberta Divided on Brokeback Mountain.”Montreal Gazette 27 Dec. 2005, sec. Arts & Life: D5. Print. Canclini, Nestor García. Hybrid Cultures: Strategies for Entering and Leaving Modernity Trans, Christopher Chiappari and Silvia López. Minneapolis: U of Minnesota P, 1995. Print. Clark, Jayne. “Looking to Climb Brokeback Mountain? Head to Canada; but Wyoming is Still Drawing Fans of the Film.”USA Today 3 Feb. 2006, sec. Life: 4D. Print. Couldry, Nick. The View from Inside the ‘Simulacrum’: Visitors' Tales from the Set of Coronation Street. Leisure Studies 18 (1998): 94–107. Print. Cummings, Debra. “Alberta's Brokeback Mountain Snags Three Oscars.”Travel Alberta. 6 Mar. 2006. Web. 4 Apr. 2006. Department of Canadian Heritage, Telefilm Canada. “Income Tax and (Draft) Regulations, Section 125.4.”Canadian Audio-Visual Certification Office. 13 Nov. 2003. Web. 7 Apr. 2006. Dinoff, Dustin. “Alberta Back on Oscar Mountain.”Playback 20 Feb. 2006: 28. Print. Donald, Stephanie Hemelryk. The Ice Storm: Ang Lee, Cosmopolitanism, and the Global Audience. Contracting Out Hollywood: Runaway Production and Foreign Location Shooting. Eds. Greg Elmer and Mike Gasher. Lanham: Rowman & Littlefield, 2005. 140–56. Print. Ebert, Roger. “Lonesome Love.”Chicago Sun-Times 11 Dec. 2005, sec. Showcase: D1. Print. Edwards, Steven. “Alberta Posse Ropes in Tourists.”Ottawa Citizen 25 Feb. 2006: A4. Print. Fiske, John. Introduction to Communication Studies. London: Methuen, 1982. Print. “From Heartbreak to Triumph on Brokeback Mountain.”Avid Technologies, Inc. 3 Jan. 2006. Web. 3 Apr. 2006. Hall, Stuart. The West and the Rest: Discourse and Power. Modernity: An Introduction to Modern Societies. Eds. Stuart Hall, David Held, Don Hubert, and Kenneth Thompson. Cambridge: Blackwell, 1996. 184–227. Print. Langton, James. “Crash, Bang, Wallop!”Daily Telegraph (London) 19 Mar. 2006: 22. Print. McKay, John. “Oscar's Canadian Connection.”Toronto Star 3 Mar. 2006: E09. Print. Morley, David, and Kevin Robins. Spaces of Identity: Global Media, Electronic Landscapes and Cultural Boundaries. London: Routledge, 1995. Print. Negus, Keith, and Patria Román-Velázquez. Globalization and Cultural Identities. Mass Media and Society. Eds. James Curran and Michael Gurevitch. New York: Oxford UP, 2000. 329–45. Print. O'Connor, Clint. “Telling a Love Story.”Cleveland Plain Dealer 8 Jan. 2006, sec. Sunday Arts: J1. Print. Proulx, Annie. Brokeback Mountain. Close Range: Wyoming Stories. New York: Scribner, 1999. 253–83. Print. Rose, Gillian. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. Thousand Oaks, CA: Sage, 2001. Print. Shindler, Colin. “The Real Cowboy Country.”Daily Telegraph (London) 4 Mar. 2006, sec. Travel: 1. Print. Shohat, Ella, and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. New York: Routledge, 1994. Print. Smith, Roly. “Travel: On Location: Rocky Mountain Picture Show.”Guardian (London) 25 Feb. 2006, sec. Travel: 3. Print. Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Amherst: U of Massachusetts P, 1988. Print. US Department of Commerce. The Migration of U.S. Film and Television Production. (Washington, DC). Jan. 2001. Web. 12 Oct. 2002. “Where is Brokeback Mountain? Maybe Nowhere.”ABC News. 5 Mar. 2006. Web. 10 Apr. 2006. “Wyoming Inspires Heralded movie's Look.”Wyoming Tourism. 10 Jan. 2006. Web. 7 Apr. 2006. Filmography Braveheart. Dir. Mel Gibson. Paramount Pictures, 1995. Brokeback Mountain. Dir. Ang Lee. Paramount Pictures, 2005. Capote. Dir. Bennett Miller. United Artists, 2005. Chicago. Dir. Rob Marshall. Miramax Films, 2002. Crash. Dir. Paul Haggis. Lions Gate Films, 2004.. Crouching Tiger, Hidden Dragon [Wo hu cang long]. Dir. Ang Lee. Sony Pictures Classics, 2000. Ice Storm, The. Dir. Ang Lee. Fox Searchlight Pictures, 1997. Lord of the Rings: The Fellowship of the Ring. Dir. Peter Jackson. New Line Cinema, 2001. My Big Fat Greek Wedding. Dir. Joel Zwick. IFC Films, 2002. Citing Literature Volume44, Issue4August 2011Pages 890-907 ReferencesRelatedInformation