American Gothic: Liminality in Thomas Harris's Hannibal Lecter Novels
2000; Bowling Green State University; Volume: 23; Issue: 4 Linguagem: Inglês
10.1111/j.1537-4726.2000.2304_23.x
ISSN1540-594X
Autores Tópico(s)American Literature and Humor Studies
ResumoJournal of American & Comparative CulturesVolume 23, Issue 4 p. 23-35 American Gothic: Liminality in Thomas Harris's Hannibal Lecter Novels Peter Messent, Peter Messent Professor of Modem American Literature at the University of Nottingham in England. He is author of New Readings of the American Novel, Ernest Hemingway, Mark Twain, and The Short Works of Mark Twain: A Critical Study. He also edited Criminal Proceedings: The Contemporary American Crime Novel.Search for more papers by this author Peter Messent, Peter Messent Professor of Modem American Literature at the University of Nottingham in England. He is author of New Readings of the American Novel, Ernest Hemingway, Mark Twain, and The Short Works of Mark Twain: A Critical Study. He also edited Criminal Proceedings: The Contemporary American Crime Novel.Search for more papers by this author First published: 22 March 2004 https://doi.org/10.1111/j.1537-4726.2000.2304_23.xCitations: 3AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat Citing Literature Volume23, Issue4Winter 2000Pages 23-35 RelatedInformation
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