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Reification, Reanimation, and the American Uncanny

2005; University of Chicago Press; Volume: 32; Issue: 2 Linguagem: Inglês

10.1086/500700

1539-7858

Bill Brown,

Asian American and Pacific Histories

Previous articleNext article No AccessReification, Reanimation, and the American UncannyBill BrownBill BrownPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 32, Number 2Winter 2006 Article DOIhttps://doi.org/10.1086/500700 Views: 577Total views on this site Citations: 41Citations are reported from Crossref © 2006 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Shreya Subramani The Entrepreneurial Catch: Toward an Analytic of Racial Responsibilization, Current Anthropology 63, no.44 (Jun 2022): 367–385.https://doi.org/10.1086/720713 Racist Love, (Mar 2022): 1–24.https://doi.org/10.1215/9781478022466-001 Racial Transitional Objects, (Mar 2022): 25–67.https://doi.org/10.1215/9781478022466-002 Racist Cute, (Mar 2022): 69–107.https://doi.org/10.1215/9781478022466-003 Asian • Female • Robot • Slave, (Mar 2022): 109–151.https://doi.org/10.1215/9781478022466-004 On the Asian Fetish and the Fantasy of Equality, (Mar 2022): 153–190.https://doi.org/10.1215/9781478022466-005 Conclusion Racist Hate, Racial Profiling, Pokémon at Auschwitz, (Mar 2022): 191–200.https://doi.org/10.1215/9781478022466-006 Notes, (Mar 2022): 205–236.https://doi.org/10.1215/9781478022466-007 References, (Mar 2022): 237–251.https://doi.org/10.1215/9781478022466-008Alice Maurice ‘Use your white voice’: race, sound, and genre in Sorry to Bother You, New Review of Film and Television Studies 20, no.11 (Feb 2022): 88–100.https://doi.org/10.1080/17400309.2021.1968710Alice P. Wright and Cameron Gokee Composing Complexity in the Eastern Woodlands, Current Anthropology 62, no.11 (Feb 2021): 30–52.https://doi.org/10.1086/713384 Slavery’s Hereafter, (Jan 2021): 1–13.https://doi.org/10.1215/9781478012962-001 Sambo’s Cloak, (Jan 2021): 15–39.https://doi.org/10.1215/9781478012962-002 Kaleidoscope Views, (Jan 2021): 40–64.https://doi.org/10.1215/9781478012962-003 Sounds of Blackness, (Jan 2021): 65–84.https://doi.org/10.1215/9781478012962-004 The Last Black Hero, (Jan 2021): 85–104.https://doi.org/10.1215/9781478012962-005 Notes, (Jan 2021): 111–121.https://doi.org/10.1215/9781478012962-006 Bibliography, (Jan 2021): 123–133.https://doi.org/10.1215/9781478012962-007 Chasing Ghosts, (Jan 2021): 105–109.https://doi.org/10.1215/9781478012962-105Joyce E. Chaplin Why Drink Water? Diet, Materialisms, and British Imperialism, Osiris 35 (Aug 2020): 99–122.https://doi.org/10.1086/708805Rebecca Richardson The Environmental Uncanny: Imagining the Anthropocene in Mary Shelley’s The Last Man, ISLE: Interdisciplinary Studies in Literature and Environment 26, no.44 (Mar 2019): 1062–1083.https://doi.org/10.1093/isle/isz019Jonah Rowen Strategies of Containment: Iron, Fire, and Labor Management, Grey Room 76 (Sep 2019): 24–57.https://doi.org/10.1162/grey_a_00274Anthony Teets Ghosts of Abolition in Oliver Twist, Dickens Studies Annual 50, no.22 (Sep 2019): 232–257.https://doi.org/10.5325/dickstudannu.50.2.0232Louis Chude-Sokei Race and Robotics, (Nov 2019): 159–171.https://doi.org/10.1007/978-3-030-21836-2_9Catherine Keyser Visceral Encounters, (Jun 2018): 147–168.https://doi.org/10.1017/9781108661492.008Marilyn Motz Material Culture and Heritage, (Mar 2016): 184–203.https://doi.org/10.1002/9781118883341.ch11Severin Fowles The perfect subject (postcolonial object studies), Journal of Material Culture 21, no.11 (Mar 2016): 9–27.https://doi.org/10.1177/1359183515623818Byron Ellsworth Hamann Counterfeit money, starring Patty Hearst, Colonial Latin American Review 25, no.11 (Jul 2016): 98–121.https://doi.org/10.1080/10609164.2016.1180779Rebecca L. Stein Retour sur la dépossession Israël, la Nakba, les Choses, Ethnologie française Vol. 45, no.22 (Feb 2015): 309–320.https://doi.org/10.3917/ethn.152.0309François G. Richard Traveling Theory: Mark Leone, Slavery, and Archaeology’s Critical Imagination, Journal of African Diaspora Archaeology and Heritage 3, no.11 (Apr 2014): 81–102.https://doi.org/10.1179/2161944114Z.00000000014Susan Naomi Nordstrom Object-Interviews: Folding, Unfolding, and Refolding Perceptions of Objects, International Journal of Qualitative Methods 12, no.11 (Feb 2013): 237–257.https://doi.org/10.1177/160940691301200111Klaus Hoeyer What Is a Market?, (Nov 2012): 35–63.https://doi.org/10.1007/978-94-007-5264-1_2Sónia Silva Reification and Fetishism: Processes of Transformation, Theory, Culture & Society 30, no.11 (Jan 2013): 79–98.https://doi.org/10.1177/0263276412452892Christopher P. Barton, Kyle Somerville Play Things: Children’s Racialized Mechanical Banks and Toys, 1880–1930, International Journal of Historical Archaeology 16, no.11 (Feb 2012): 47–85.https://doi.org/10.1007/s10761-012-0169-yJackie Stacey, Lucy Suchman Animation and Automation – The Liveliness and Labours of Bodies and Machines, Body & Society 18, no.11 (Mar 2012): 1–46.https://doi.org/10.1177/1357034X11431845Michael Epp Durable Public Feelings, Canadian Review of American Studies 41, no.22 (Aug 2011): 179–197.https://doi.org/10.3138/cras.41.2.179Erin Mercer Haunting and Race: Ralph Ellison’s Invisible Man, (Jan 2011): 61–87.https://doi.org/10.1057/9780230119093_3Florence Bernault Quelque chose de pourri dans le post-empire, Cahiers d'études africaines 50, no.198-199-200198-199-200 (Nov 2010): 771–798.https://doi.org/10.4000/etudesafricaines.16365Margueritte Murphy Commodity aesthetics: The industrial exhibitions of Paris, 1834—1844, reviewed, Journal of European Studies 40, no.11 (Mar 2010): 23–38.https://doi.org/10.1177/0047244109353971DARIUSZ GAFIJCZUK Bending Modernity: Chairs, Psychoanalysis and the Rest of Culture, Journal of Historical Sociology 22, no.44 (Dec 2009): 447–475.https://doi.org/10.1111/j.1467-6443.2009.01365.x Bibliography, (): 203–222.https://doi.org/10.1215/9780822373889-008