Documentary Film and the Modernist Avant-Garde
2001; University of Chicago Press; Volume: 27; Issue: 4 Linguagem: Inglês
10.1086/449023
ISSN1539-7858
Autores Tópico(s)Artistic and Creative Research
ResumoPrevious articleNext article No AccessDocumentary Film and the Modernist Avant-GardeBill NicholsBill Nichols Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 27, Number 4Summer, 2001 Article DOIhttps://doi.org/10.1086/449023 Views: 142Total views on this site Citations: 48Citations are reported from Crossref Copyright 2000 The University of ChicagoPDF download Crossref reports the following articles citing this article:Sarah Ann Wells At the Shores of Work, Comparative Literature 73, no.22 (Jun 2021): 166–183.https://doi.org/10.1215/00104124-8874073Sergio Villanueva Baselga, Mario Perez-Montoro, Lydia Sánchez The use of statistics to define taxonomies of film voices: a practical approach to documentary classification, Visual Communication 20, no.22 (May 2019): 248–270.https://doi.org/10.1177/1470357219850591Yvonne Zimmermann Hans Richter and the Filmessay, (Apr 2021): 367–389.https://doi.org/10.1002/9781119116172.ch16Thomas Waugh The Romantic Becomes Dialectic?, (Apr 2021): 255–282.https://doi.org/10.1002/9781119116172.ch12Alice Lovejoy Introduction, (Apr 2021): 1–7.https://doi.org/10.1002/9781119116172.part1Philip Rosen Now and Then, (Apr 2021): 187–206.https://doi.org/10.1002/9781119116172.ch9Anna Podara, Dimitrios Giomelakis, Constantinos Nicolaou, Maria Matsiola, Rigas Kotsakis Digital Storytelling in Cultural Heritage: Audience Engagement in the Interactive Documentary New Life, Sustainability 13, no.33 (Jan 2021): 1193.https://doi.org/10.3390/su13031193Sarah Durcan Documentary Fiction, (Oct 2020): 159–198.https://doi.org/10.1007/978-3-030-47396-9_6Dan Geva 1934: The All-Union Congress of Soviet Writers of 1934, (Sep 2021): 233–246.https://doi.org/10.1007/978-3-030-79466-8_21Laia Quílez, Núria Arauna Prácticas feministas en el cine documental español contemporáneo. 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