Artigo Revisado por pares

Rachmaninoff and Scriabin: Creativity and Suffering in Talent and Genius

2004; Guilford Press; Volume: 91; Issue: 3 Linguagem: Inglês

10.1521/prev.91.3.423.38305

ISSN

1943-3301

Autores

Emanuel E. Garcia,

Tópico(s)

Diverse Music Education Insights

Resumo

Rachmaninoff and Scriabin: Creativity and Suffering in Talent and GeniusEmanuel E. GarciaEmanuel E. GarciaSearch for more papers by this authorPublished Online:June 2005https://doi.org/10.1521/prev.91.3.423.38305PDFPDF PLUS ShareShare onFacebookTwitterLinkedInRedditEmail ToolsAdd to favoritesDownload CitationsTrack Citations AboutReferencesBertensson, S., & Leyda, J. (2001). Sergei Rachmaninoff: A lifetime in music, Introduction by D. B. Cannata. Bloomington: Indiana University Press. Google ScholarBowers, F. (1973). The new Scriabin. New York: St. Martin's Press. Google ScholarBowers, F. (1996). Scriabin: A biography 2nd ed., rev. Mineola, NY: Dover. Google ScholarEissler, K. R. (1971). Talent and genius: The fictitious case of tausk contra Freud. New York: Quadrangle Books. Google ScholarGarcia , E. E. (1990). Somatic interpretation in a transference cure: Freud's treatment of Bruno Walter. Internat. Rev. Psychoanal.17:83–88. Google ScholarGarcia , E. E. (2000). Gustav Mahler's choice: A note on adolescence, genius and psychosomatics. Psychoanal. Study Child, 55:87–110. Crossref Medline, Google ScholarGarcia , E. E. (2002). Rachmaninoff's first symphony: Emotional crisis and genius interred. Journal of the Conductor's Guild, 23:17–29. Google ScholarGarcia , E. E. (2004). Rachmaninoff's emotional collapse and recovery: The First Symphony and its aftermath. Psychoanal. Rev., 91:221–238. Link, Google ScholarMartyn, B. (1990). Rachmaninoff: Composer, pianist, conductor. Aldershot, Hants, England and Brookfield, Vermont: Scolar Press. Google ScholarPowell, J. (2001). Scriabin. In S. Sadie, ed. The New Grove dictionary of music and musicians, 2nd ed. (Vol. 23, pp. 483–495). London: Macmillan. Google ScholarRiesemann, O. von (1934). Rachmaninoff's recollections told to Oscar von Riesemann. New York: Macmillan. Google ScholarSchloezer, B. de. (1987). Scriabin: Artist and mystic, trans. N. Slonimsky, Introduction by M. Scriabine. Berkeley: University of California Press. Google ScholarSwan , A., & Swan, K. (1944). Rachmaninoff: Personal reminiscences—Part II. Musical Quart., 30(2):174–191. Google Scholar Previous article Next article FiguresReferencesRelatedDetails Cited byCited by1. Artists’ Precarity in the Context of Their Social IntegrationOnline publication date: 4 February 2020. Go to citation Crossref Google Scholar2. Neuromusicology or Musiconeurology? “Omni-art” in Alexander Scriabin as a Fount of IdeasOnline publication date: 15 March 2016. Go to citation Crossref Google Scholar3. Online publication date: Go to citation Crossref Google Scholar4. Alexander ScriabinOnline publication date: Go to citation Crossref Google Scholar5. The life and music of Alexander Scriabin: megalomania revisitedOnline publication date: 9 January 2012. Go to citation Crossref Google ScholarEmanuel E. Garcia6. Alexander Scriabin's Mysterium and the Transcendence of Music: Psychoanalytic Notes on Genius, Mysticism and ArtOnline publication date: 15 June 2009. Go to citation Crossref Google Scholar7. Ekphrasis em música: os Quadrados Mágicos de Paul Klee na Sonata para violão solo de Leo BrouwerOnline publication date: Go to citation Crossref Google Scholar Volume 91Issue 3Jun 2004 Information© Guilford Publications Inc.PDF download

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