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Digital Downsizing: The Effects of Digital Music Production on Labor

2014; Wiley; Volume: 26; Issue: 4 Linguagem: Inglês

10.1111/jpms.12095

1533-1598

David Arditi,

Music History and Culture

Journal of Popular Music StudiesVolume 26, Issue 4 p. 503-520 ARTICLE Digital Downsizing: The Effects of Digital Music Production on Labor David Arditi, David Arditi University of Texas, ArlingtonSearch for more papers by this author David Arditi, David Arditi University of Texas, ArlingtonSearch for more papers by this author First published: 27 December 2014 https://doi.org/10.1111/jpms.12095Citations: 8Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Adorno, Theodor W. “ The Curves of the Needle.” Essays on Music / Theodor W. Adorno. Eds. Theodor W. Adorno, Richard D. Leppert, and Susan H. Gillespie. Berkeley, CA: U of California P, 2002. 271–76. Print. Adorno, Theodor W.. “ The Form of the Phonograph Record.” Essays on Music / Theodor W. Adorno. Eds. Theodor W. Adorno, Richard D. Leppert, and Susan H. Gillespie. Berkeley, CA: U of California P, 2002. 277–80. Print. Arditi, David. “ iTunes: Breaking Barriers and Building Walls.” Popular Music and Society. ahead-of-print (2013). 1–17. Taylor and Francis+NEJM. Web. 7 Aug. 2013. Braverman, Harry. Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century. New York: Monthly Review P, 1998. Print. Burkart, Patrick, and Tom McCourt. Digital Music Wars: Ownership and Control of the Celestial Jukebox. New York: Rowman & Littlefield Publishers, 2006. Print. Danielsen, Anne. Musical Rhythm in the Age of Digital Reproduction. Burlington, VT: Ashgate, 2010. Print. Dimitriadis, Greg. “ Hip-Hop: From Live Performance to Mediated Narrative.” That's the Joint!: The Hip-Hop Studies Reader. Eds. Mark Anthony Neal and Murray Forman. New York: Routledge, 2004. 421–35. Print. Forman, Murray. “ Looking for the Perfect Beat: Hip-Hop Aesthetics and Technologies of Production.” That's the Joint!: The Hip-Hop Studies Reader. Eds. Michael Eric Dyson, Mark Anthony Neal and Murray Forman. New York: Routledge, 2004. 389–92. Print. George, Nelson. “ Sample This.” That's the Joint!: The Hip-Hop Studies Reader. Eds. Mark Anthony Neal and Murray Forman. New York: Routledge, 2004. 437–41. Print. Goodwin, Andrew. “Sample and Hold: Pop Music in the Digital Age of Reproduction.” Critical Quarterly 30.3 (1988): 34–49. Print. Hebdige, Dick. Cut “N” Mix: Culture, Identity, and Caribbean Music. London: Psychology P, 1987. Print. Hull, Geoffrey P., Thomas W. Hutchison, and Richard Strasser. The Music Business and Recording Industry: Delivering Music in the 21st Century. 3rd ed. New York: Routledge, 2011. Print. Krasilovsky, M. William et al. This Business of Music. 10th ed. Billboard Books, 2007. Print. Leyshon, Andrew et al. “On the Reproduction of the Musical Economy after the Internet.” Media, Culture & Society 27.2 (2005): 177–209. Available at http://mcs.sagepub.com. Web. 13 Dec. 2013. Marx, Karl. Capital: Volume 1: A Critique of Political Economy. Penguin Classics, 1992. Print. Negus, Keith. Music Genres and Corporate Cultures. New York: Routledge, 1999. Print. Park, David J. Conglomerate Rock: The Music Industry's Quest to Divide Music and Conquer Wallets. Lanham, MD: Lexington Books, 2007. Print. Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: UP of New England, 1994. Print. Music/culture. Savage, Steve. Bytes and Backbeats: Repurposing Music in the Digital Age. Ann Arbor, Mich.: U of Michigan P, 2011. Print. Schloss, Joseph Glenn. Making Beats: The Art of Sample-Based Hip-Hop. Middletown, CO: Wesleyan UP, 2004. Print. Stark, Phyllis. “Nashville Scene: Country Stars Take DIY Route for New Albums.” Billboard 12 Aug. 2006: 73. Print. The Roots, and Styles P. Rising Down. Def Jam, 2008. LP. Théberge, Paul. “ The End of the World as We Know It: The Changing Role of the Studio in the Age of the Internet.” The Art of Record Production: An Introductory Reader for a New Academic Field. Eds. Simon Frith and Simon Zagorski-Thomas. Farnham: Ashgate Publishing, Ltd., 2012. 77–90. Print. Walsh, Christopher. “Nashville Studios Grapple with Country Music's Woes.” Billboard 21 Apr. 2001: 1, 89. Print. Weir, William. “How the Drum Machine Changed Pop Music.” Brow Beat. Blog. N. p., 21 Nov. 2011. Web. 6 Feb. 2013. Citing Literature Volume26, Issue4December 2014Pages 503-520 ReferencesRelatedInformation