Frida Kahlo: Abjection, Psychic Deadness, and the Creative Impulse
2004; Guilford Press; Volume: 91; Issue: 6 Linguagem: Inglês
10.1521/prev.91.6.723.55959
ISSN1943-3301
Autores Tópico(s)Feminist Theory and Gender Studies
ResumoFrida Kahlo: Abjection, Psychic Deadness, and the Creative ImpulseMarlene GoldsmithMarlene Goldsmith1. The Kenmawr, 401 Shady Avenue, Suite 207C, Pittsburgh, PA 15206Published Online:June 2005https://doi.org/10.1521/prev.91.6.723.55959PDFPDF PLUS ShareShare onFacebookTwitterLinkedInRedditEmail ToolsAdd to favoritesDownload CitationsTrack Citations AboutReferencesBalint, M. (1968). The basic fault. London: Tavistock. Google ScholarDuncan, A. (2003). This phenomenological ecriture: Feminine consciousness both corporeal and lucid (pp. 231–260). In The feminine case, Jung, aesthetics and creative process. London: Karnac. Google ScholarEigen, M. (1996). Psychic deadness. London: Karnac, 2004. Google ScholarEhrenzweig, A. (1967). The hidden order of art. Berkeley: University of California Press. Google ScholarFuller, P. (1980). Art and psychoanalysis. London: Writers and Readers Publishing Cooperative Ltd. Google ScholarGrosz, E. (1989). Sexual subversions: Three French feminists. Crows Nest: Allen & Unwin. Google ScholarHerrera, H. (1983). Frida: A biography of Frida Kahlo. New York: Harper & Row. Google ScholarHerrera, H. (1993). Frida, the paintings. New York: HarperPerennial. Google ScholarKahlo, F. (1995). The diary of Frida Kahlo: An intimate self-portrait. New York: Harry N. Abrams. Google ScholarKristeva, J. (1982). Powers of horror: An essay on abjection. New York: Columbia University Press. Google ScholarMatte-Blanco, I. (1975). The unconscious as infinite sets: An essay in bi-logic. London: Duckworth. Google ScholarMilner, M. (1969). The hands of the living God. New York: International Universities Press. Google ScholarMilner, M. (1987). The suppressed madness of sane men. London: Tavistock. Google ScholarMonsivaáis, C. (2001). Introduction: Frida in the land of self-portraits. In L. Lozano, ed., Frida Kahlo (pp. 10–17). Boston: Bullfinch. Google ScholarRivera, D. (1991). My art, my life, an autobiography. New York: Dover Publications. Google ScholarSmith , N. (1998). The strength of "creative impulse" in the aftermath of trauma. Internat. Forum Psychoanal., 7 (3): 159–162. Crossref, Google ScholarWinnicott, D. W. (1971). Playing and reality. London: Tavistock. Google ScholarWollheim, R. (1987). Painting as an Art. Princeton: Princeton University Press. Google ScholarWright, K. (2000). To make experience sing. In Art, creativity, living (pp. 75–96). London: Karnac. Google ScholarWyatt, J. (1990). Reconstructing Desire. Chapel Hill: The University of North Carolina Press. Google Scholar Next article FiguresReferencesRelatedDetails Cited byCited by1. Could Frida Kahlo have had antiphospholipid syndrome?Online publication date: Go to citation Crossref Google Scholar2. Could Frida Kahlo have had antiphospholipid syndrome?Online publication date: Go to citation Crossref Google Scholar3. Art and rheumatology: the artist and the rheumatologist's perspectiveOnline publication date: 30 January 2014. Go to citation Crossref Google Scholar4. Successful Aging: Jungian Contributions to Development in Later LifeOnline publication date: 31 May 2013. Go to citation Crossref Google Scholar5. Book ReviewsOnline publication date: 16 April 2008. Go to citation Crossref Google ScholarMichael Eigen6. The Annihilated SelfOnline publication date: 9 March 2006. Go to citation Crossref Volume 91Issue 6Dec 2004 Information© Guilford Publications Inc.PDF download
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