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Class Rise as a Reward for Disinterested Love: Cross‐Class Romance Films, 1915–28

2010; Wiley; Volume: 43; Issue: 3 Linguagem: Inglês

10.1111/j.1540-5931.2010.00759.x

1540-5931

Stephen Sharot,

Theater, Performance, and Music History

The Journal of Popular CultureVolume 43, Issue 3 p. 583-599 Class Rise as a Reward for Disinterested Love: Cross-Class Romance Films, 1915–28 STEPHEN SHAROT, STEPHEN SHAROT Department of Sociology and Anthropology, Ben-Gurion University of the Negev, Beersheva, IsraelSearch for more papers by this author STEPHEN SHAROT, STEPHEN SHAROT Department of Sociology and Anthropology, Ben-Gurion University of the Negev, Beersheva, IsraelSearch for more papers by this author First published: 25 May 2010 https://doi.org/10.1111/j.1540-5931.2010.00759.xCitations: 4Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Bailey, Beth L. From Front Porch to Back Seat: Courtship in Twentieth Century America. Baltimore: John Hopkins UP, 1988. Barrett, James R. Americanization from the Bottom Up: Immigration and the Remaking of the Working Class in the United States, 1880–1930. The Journal of American History 79.3 (1992): 996–1020. Brownlow, Kevin. Behind the Mask of Innocence. Berkeley: U of California P, 1990. Chafe, William H. The Paradox of Change: American Women in the 20th Century. New York: Oxford UP, 1991. Chandler, Keren M. Agency and Stella Dallas: Audience, Melodramatic Directives, and Social Determinism in 1920s America. Arizona Quarterly 51.4 (1995): 27–44. Cohen, Lizabeth. Making a New Deal: Industrial Workers in Chicago, 1919–1939. Cambridge, UK: Cambridge UP, 1990. Dundes, Alan. Cinderella: A Folklore Casebook. New York: Garland Publishing Inc., 1982. Ewen, Stuart. Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture. New York: McGraw-Hill Book Company, 1976. Gordon, David M., Richard Edwards, and Michael Reich. Divided Workers: The Historical Transformation of Labor in the United States. Cambridge: Cambridge UP, 1982. Horowitz, Daniel. The Morality of Spending: Attitudes toward Consumer Society in America, 1875–1940. Baltimore: Johns Hopkins UP, 1985. Illouz, Eva. Consuming the Romantic Utopia; Love and the Cultural Contradictions of Capitalism. Berkeley: U of California P, 1997. Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928–1942. Berkeley: U of California P, 1995. Jacobs, Lea. The Seduction Plot: Comic and Dramatic Variants. Film History 13.4 (2001): 424–42. Kleinberg, S. J. Women in the United States, 1930–1945. London: Macmillan Publishers, 1999. Leach, William. Land of Desire: Merchants, Power, and the Rise of New American Culture. New York: Vintage Books, 1993. Langman, Larry. American Film Cycles: The Silent Era. Westport, CT: Greenwood Press, 1998. Panttaja, Elizabeth. Going Up in the World: Class in ‘Cinderella’. Western Folklore 52 (1993): 85–104. Pintar, Laurie. Behind the Scenes, Bronco Billy and the Realities of Work in Open Shop Hollywood. Metropolis in the Making, Los Angeles in the 1920s. Ed. Tom Sitton and William Deverell. Berkeley: U of California P, 2001. 319–38. Rhodes, Chip. Structures of the Jazz Age: Mass Culture, Progressive Educations and Racial Disclosures in American Modernism. London: Verson, 1998. Ross, Steven J. Working-Class Hollywood. Princeton, NJ: Princeton UP, 1998. Shull, Michael Slade. Radicalism in American Silent Films, 1909–1929; A Filmography and History. Jefferson, NC: McFarland & Company, 2000. Sloan, Kay. The Loud Silents: Origins of the Social Problem Film. Urbana: U of Illinois P, 1998. Staiger, Janet. Bad Women: Regulating Sexuality in Early American Cinema. Minneapolis: U of Minnesota P, 1995. Citing Literature Volume43, Issue3June 2010Pages 583-599 ReferencesRelatedInformation