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Luhrmann's Top 40 Shakespeare and the Crisis of Shakespearean Consumption

1999; Bowling Green State University; Volume: 22; Issue: 1 Linguagem: Inglês

10.1111/j.1542-734x.1999.00017.x

2162-5735

Leah Guenther,

Shakespeare, Adaptation, and Literary Criticism

Journal of American CultureVolume 22, Issue 1 p. 17-24 Luhrmann's Top 40 Shakespeare and the Crisis of Shakespearean Consumption Leah Guenther, Leah Guenther Received her MA in the Hudson Strode Program for Renaissance Studies at the University of Alabama and began doctoral work at Northwestern in the fall of 1999.Search for more papers by this author Leah Guenther, Leah Guenther Received her MA in the Hudson Strode Program for Renaissance Studies at the University of Alabama and began doctoral work at Northwestern in the fall of 1999.Search for more papers by this author First published: 23 March 2004 https://doi.org/10.1111/j.1542-734X.1999.00017.xCitations: 2AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Adorno, Theodor. Introduction to the Sociology of Music. New York : Seabury, 1976. Alleva, Richard. Romeo and Juliet. Commonweal 123 (1998): 19. Arroyo, José. Kiss Kiss Bang Bang. Sight and Sound 7 (1997): 6–9. Bakhtin, Mikhail. Rabelais and His World. Trans. Iswolsky Hélène. Bloomington : Indiana UP, 1984. Barthes, Roland. Image, Music, Text. Trans. Heath Stephen. New York : Hill and Wang, 1977. Barthes, Roland. S/Z. Trans. Richard Miller. New York : Hill and Wang, 1974. Bloom, Allan. The Closing of the American Mind. New York : Simon and Schuster, 1987. Bordwell, David, and Kristin Thompson. Film Art: An Introduction. New York : Alfred Knopf, 1986. Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Nice Richard. Cambridge : Harvard UP, 1984. Collic, John. Shakespeare, Cinema, and Society. Manchester : Manchester UP, 1989. De Certeau, Michel. Culture in the Plural. Minneapolis : U of Minnesota P, 1997. Derrida, Jacques. Writing and Difference. Trans. Bass Alan. Chicago : U of Chicago P, 1976. Kahn, Coppélia. Coming of Age in Verona. Modern Language Studies 8 (1978): 171–93. Karlin, Fred. Listening to Movies: The Film Lover's Guide to Film Music. New York : Schirmer, 1994. Kauffmann, Stanley. William Shakespeare's Romeo and Juliet. The New Republic 215 (1996): 40. Kristeva, Julia. The Portable Kristeva. Trans. Oliver Kelly. New York : Columbia UP, 1997. Lyons, Donald. William Shakespeare's Romeo and Juliet. Commentary 103 (1997): 57. Matthew, Peter. William Shakespeare's Romeo and Juliet. Sight and Sound 7 (1997): 54. Prendergast, Roy M. Film Music: A Neglected Art. New York : Norton, 1992. Ross, Andrew. No Respect: Intellectuals and Popular Culture. New York and London : Routledge, 1989. Sontag, Susan. Against Interpretation. New York : Farrar, Straus, and Giroux, 1966. Weld, Theodore D. Shakespeare in the Class-room. Shakesperiana 3 (1886): 437–38. Citing Literature Volume22, Issue1Spring 1999Pages 17-24 ReferencesRelatedInformation