Artigo Revisado por pares

Documentary Reenactment and the Fantasmatic Subject

2008; University of Chicago Press; Volume: 35; Issue: 1 Linguagem: Inglês

10.1086/595629

ISSN

1539-7858

Autores

Bill Nichols,

Tópico(s)

Narrative Theory and Analysis

Resumo

Previous articleNext article No AccessDocumentary Reenactment and the Fantasmatic SubjectBill NicholsBill NicholsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 35, Number 1Autumn 2008 Article DOIhttps://doi.org/10.1086/595629 Views: 2340Total views on this site Citations: 51Citations are reported from Crossref © 2008 by The University of Chicago. 0093-1896/08/3501-0004$10.00. All rights reserved.PDF download Crossref reports the following articles citing this article:Niina Oisalo How does a film remember? Cinematic memory as a living constellation in El escarabajo de oro o Victorias Hämnd, Journal of Aesthetics & Culture 14, no.11 (Mar 2022).https://doi.org/10.1080/20004214.2022.2040153Paul Cornelius, Douglas Rhein Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War, Critical Studies in Television: The International Journal of Television Studies (Aug 2022): 174960202211221.https://doi.org/10.1177/17496020221122178Stephen N. Borunda A Body Downwind of the Atomic Attack at Trinity: Mediations of Atomic Coloniality in Nuevo México, Media+Environment 72 (Aug 2022).https://doi.org/10.1525/001c.36561Joe PL Davidson Repeating beats: The return of rave, memories of joy and nostalgia between the afterglow and the hangover, Memory Studies 5 (Jul 2022): 175069802211011.https://doi.org/10.1177/17506980221101115Raz Yosef Forbidden Melodies: Music and Arab-Jewish Identity in Contemporary Mizrahi Cinema, Middle East Critique 31, no.22 (Apr 2022): 165–180.https://doi.org/10.1080/19436149.2022.2059213Yumeng Hou, Sarah Kenderdine, Davide Picca, Mattia Egloff, Alessandro Adamou Digitizing Intangible Cultural Heritage Embodied: state of the art, Journal on Computing and Cultural Heritage 3 (Feb 2022).https://doi.org/10.1145/3494837Simon Flandin Four Lines of Analysis for Civil Security Crisis Simulations: Insights for Training Design, (Feb 2022): 43–60.https://doi.org/10.1007/978-3-030-89567-9_3Anthony L. Silvestri Kenneth Anger and the Filmed-Archive Reenactment, Journal of Film and Video 73, no.44 (Dec 2021): 29–43.https://doi.org/10.5406/jfilmvideo.73.4.0029Maria Elander Taking responsibility: Testimonial practices in Rithy Panh’s S21: The Khmer Rouge Killing Machine, Crime, Media, Culture: An International Journal 59 (Nov 2021): 174165902110565.https://doi.org/10.1177/17416590211056526Roger C. Aden Making the past present: Bisbee ‘17 and mediated haunting, Critical Studies in Media Communication 38, no.55 (Jul 2021): 375–390.https://doi.org/10.1080/15295036.2021.1949482Jihoon Kim Synthetic Vision in Virtual Reality Documentaries, Film-Philosophy 25, no.33 (Oct 2021): 321–345.https://doi.org/10.3366/film.2021.0178Udi Lebel, Dana Masad Life Scripts, Counter Scripts and Online Videos: The Struggle of Religious-Nationalist Community Epistemic Authorities against Military Service for Women, Religions 12, no.99 (Sep 2021): 750.https://doi.org/10.3390/rel12090750Jihoon Kim Testimonies, Landscapes, and Reenactments in Im Heung-Soon's Documentary Works, Interventions 23, no.55 (Mar 2021): 728–753.https://doi.org/10.1080/1369801X.2021.1885466Artémis Drakos, Simon Flandin, Geneviève Filippi, François Palaci, Philippe Veyrunes, Germain Poizat From Exploration to Re-Enactment: Instructional Uses of a Desktop Virtual Environment for Training Nuclear Plant Field Operators, Vocations and Learning 14, no.22 (Mar 2021): 327–352.https://doi.org/10.1007/s12186-020-09261-1Royce Mahawatte The involuntary confession of euphoria: ‘Chemsex’ porn and the paradox of embodiment, Sexualities 9 (Apr 2021): 136346072110080.https://doi.org/10.1177/13634607211008070Tory Jeffay ‘Flat-out’ formalism: Strong Island as trans-of-color critique, New Review of Film and Television Studies 19, no.22 (Jun 2021): 217–238.https://doi.org/10.1080/17400309.2021.1915655Liat Steir-Livny Looking beyond the victims: descendants of the perpetrators in Hitler ’ s Children, Holocaust Studies 27, no.22 (Aug 2019): 293–306.https://doi.org/10.1080/17504902.2019.1637500Tom Boellstorff Paraethnographic Film: Virtual Enactment and Collaboration in Our Digital Selves, Visual Anthropology Review 37, no.11 (Apr 2021): 8–30.https://doi.org/10.1111/var.12225Nea Ehrlich Conflicting realisms: animated documentaries in the post-truth era, Studies in Documentary Film 15, no.11 (Sep 2019): 20–40.https://doi.org/10.1080/17503280.2019.1663718Aili Zheng MIÀN 面: Jia Zhangke’s Artistic Encounter with Prada Rong Zhai, (Mar 2022): 1–17.https://doi.org/10.1007/978-3-319-62592-8_183-1Pat O'Grady Making mirrors, making albums and making documentaries: the music of Gotye and negotiating Bourdieu's field of cultural production, Popular Music 39, no.3-43-4 (Mar 2021): 669–684.https://doi.org/10.1017/S026114302000046XKrzysztof Loska Pamięć, performans i afekty – temat ludobójstwa w filmach Joshui Oppenheimera, Kwartalnik Filmowy , no.111111 (Nov 2020): 88–104.https://doi.org/10.36744/kf.367Rachel E. Perry The Holocaust is present: reenacting the Holocaust, then and now, Holocaust Studies 26, no.22 (Mar 2019): 152–180.https://doi.org/10.1080/17504902.2019.1578460Bonnie Evans Screen Memories in True Crime Documentary: Trauma, Bodies, and Places in The Keepers (2017) and Casting JonBenet (2017), (Nov 2020): 263–283.https://doi.org/10.1007/978-3-030-52056-4_13Timothy Corrigan Biopics and the Trembling Ethics of the Real, (Nov 2019): 11–22.https://doi.org/10.1002/9781119554783.ch2Anjali Nath Toward the Dark Side, (Nov 2018): 536–556.https://doi.org/10.1002/9781118884584.ch25Christian Vium Temporal Dialogues: Collaborative Photographic Re-enactments as a Form of Cultural Critique, Visual Anthropology 31, no.4-54-5 (Oct 2018): 355–375.https://doi.org/10.1080/08949468.2018.1497331Daniella Trimboli Affective Everyday Media: The Performativity of Whiteness in Australian Digital Storytelling, Critical Arts 32, no.33 (Sep 2018): 44–59.https://doi.org/10.1080/02560046.2018.1488879Kate Nash Virtually real: exploring VR documentary, Studies in Documentary Film 12, no.22 (Aug 2018): 97–100.https://doi.org/10.1080/17503280.2018.1484992Tina Wasserman Monstrous daisies: reenacting Auschwitz in Wanda Jakubowska’s Ostatni Etap, Holocaust Studies 24, no.11 (Sep 2017): 92–111.https://doi.org/10.1080/17504902.2017.1380251Rebecca Ora Invisible Evidence: Serial and the New Unknowability of Documentary, (Jul 2018): 107–122.https://doi.org/10.1007/978-3-319-90056-8_6Lucas Bessire Glimpses of Emergence in the Ayoreo Video Project, Visual Anthropology Review 33, no.22 (Nov 2017): 119–129.https://doi.org/10.1111/var.12130Heather McIntosh Reenactments and the Denial of Catharsis in The Act of Killing, Quarterly Review of Film and Video 34, no.55 (Apr 2016): 379–394.https://doi.org/10.1080/10509208.2016.1144041Melissa Joy Wolfe Post-Qualitative Filmic Research in Education: Utilizing a “Re/Active Documentary” Methodology, Qualitative Inquiry 23, no.66 (Oct 2016): 427–437.https://doi.org/10.1177/1077800416673660Emma Scanlan Reimagining National Identity through Reenactment in the Pacific and Australia, Wasafiri 32, no.11 (Feb 2017): 60–67.https://doi.org/10.1080/02690055.2017.1252503Sarah Pink, Jolynna Sinanan, Larissa Hjorth, Heather Horst Tactile digital ethnography: Researching mobile media through the hand, Mobile Media & Communication 4, no.22 (Dec 2015): 237–251.https://doi.org/10.1177/2050157915619958Vincent Campbell Analytical Frameworks: Science, Documentary and Factual Entertainment, (May 2016): 27–62.https://doi.org/10.1057/978-1-137-38538-3_2Vincent Campbell Archaeology: Ancient Secrets and Treasures, (May 2016): 125–154.https://doi.org/10.1057/978-1-137-38538-3_5Beatriz Tadeo Fuica ¿Cómo representar la dictadura? Recorrido por estrategias cinematográficas en documentales uruguayos, Amérique latine histoire et mémoire , no.3030 (Dec 2015).https://doi.org/10.4000/alhim.5357Louise Spence, Nilgün Özten The way it was?: fashioning history in Diary Film – I was 12 in’56, Rethinking History 19, no.44 (Jun 2014): 668–684.https://doi.org/10.1080/13642529.2014.919719Yingchi Chu The dogmatic documentary: the missing mode, New Review of Film and Television Studies 13, no.44 (Aug 2015): 403–421.https://doi.org/10.1080/17400309.2015.1073484Joseph A. Kraemer Waltz with Bashir (2008): Trauma and Representation in the Animated Documentary, Journal of Film and Video 67, no.3-43-4 (Sep 2015): 57–68.https://doi.org/10.5406/jfilmvideo.67.3-4.0057Stella Bruzzi Re-enacting Trauma in Film and Television: Restaging History, Revisiting Pain, (Jan 2015): 89–98.https://doi.org/10.1057/9781137546821_6 Ayelet Kohn Mehubarot: A Peep without a Show, Jewish Film & New Media 3, no.22 (Jan 2015): 170.https://doi.org/10.13110/jewifilmnewmedi.3.2.0170Tanya Horeck ‘A film that will rock you to your core’: Emotion and affect in Dear Zachary and the real crime documentary, Crime, Media, Culture: An International Journal 10, no.22 (Jul 2014): 151–167.https://doi.org/10.1177/1741659014540293Garnet C. Butchart Camera as sign: on the ethics of unconcealment in documentary film and video, Social Semiotics 23, no.55 (Nov 2013): 675–690.https://doi.org/10.1080/10350330.2012.740205Cindy Poremba Performative Inquiry and the Sublime in Escape from Woomera, Games and Culture 8, no.55 (Aug 2013): 354–367.https://doi.org/10.1177/1555412013493134Brigitte Peucker Herzog and Auteurism, (May 2012): 35–57.https://doi.org/10.1002/9781118274491.ch1Bishnupriya Ghosh The Proximate Truth, BioScope: South Asian Screen Studies 3, no.11 (Feb 2012): 69–86.https://doi.org/10.1177/097492761100300106Steve Fore Reenacting Ryan: The Fantasmatic and the Animated Documentary, Animation 6, no.33 (Dec 2011): 277–292.https://doi.org/10.1177/1746847711416561Jeffrey Skoller Introduction to the Special Issue Making It (Un)real: Contemporary Theories and Practices in Documentary Animation, Animation 6, no.33 (Sep 2011): 207–214.https://doi.org/10.1177/1746847711422496

Referência(s)
Altmetric
PlumX