“Life Is Color!” Toward a Transnational Feminist Analysis of Mohsen Makhmalbaf’s Gabbeh
2004; University of Chicago Press; Volume: 30; Issue: 1 Linguagem: Inglês
10.1086/421887
ISSN1545-6943
Autores Tópico(s)South Asian Cinema and Culture
ResumoPrevious articleNext article No Access"Life Is Color!" Toward a Transnational Feminist Analysis of Mohsen Makhmalbaf's GabbehNegar MottahedehNegar MottahedehDepartment of LiteratureDuke University Search for more articles by this author Department of LiteratureDuke UniversityPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Signs Volume 30, Number 1Autumn 2004Beyond the Gaze: Recent Approaches to Film Feminisms. Special Issue Editors Kathleen McHugh and Vivian Sobchack Article DOIhttps://doi.org/10.1086/421887 Views: 182Total views on this site Citations: 7Citations are reported from Crossref © 2004 by The University of Chicago. All rights reserved.PDF download Crossref reports the following articles citing this article:Negar Sadeghian Producción y acogida del cine feminista iraní: «La mujer no deseada», VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual 9, no.22 (May 2022): 199–206.https://doi.org/10.37467/gkarevvisual.v9.2817Nazgol Bagheri Avoiding the "F" word: feminist geography in Iran, Gender, Place & Culture 26, no.7-97-9 (May 2019): 1128–1136.https://doi.org/10.1080/0966369X.2019.1586654Lan Duong Close up: The female gaze and ethnic difference in two Vietnamese women's films, Journal of Southeast Asian Studies 46, no.33 (Sep 2015): 444–462.https://doi.org/10.1017/S0022463415000338Debbie Danielpour Iran, (Jan 2015): 87–103.https://doi.org/10.1057/9781137312372_13Adair Rounthwaite Troubling Naturalism: Shirana Shahbazi's The Curve, Iranian Studies 45, no.44 (Jan 2022): 503–518.https://doi.org/10.1080/00210862.2012.673831Lan Duong Long-Legged Girls and the Transnational Circuits of Vietnamese Popular Culture, (Jan 2007): 163–183.https://doi.org/10.1057/9780230609655_10Goli M. Rezai-Rashti Transcending the Limitations: Women and the Post-revolutionary Iranian Cinema, Critique: Critical Middle Eastern Studies 16, no.22 (Jan 2007): 191–206.https://doi.org/10.1080/10669920701378895
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