Nano Dreams and Nanoworlds: Fantastic Voyage as a Fantastic Origin Story
2015; Johns Hopkins University Press; Volume: 23; Issue: 3 Linguagem: Inglês
10.1353/con.2015.0019
ISSN1080-6520
Autores Tópico(s)Neuroethics, Human Enhancement, Biomedical Innovations
ResumoFantastic Voyage , a 1966 Hollywood science fiction film based on a screenplay written by Harry Kleiner, is often associated with contemporary nanotechnology imaginings. In this article, I draw on ethnographic research conducted within a new nanoengineering department and undergraduate major to show how this film is deployed to produce a particular disciplinary and professional identity for nanoengineering. By juxtaposing my analysis of how the film is framed in the department with a close reading of the film itself, I show how both inclusions and exclusions constitute the “nano dream,” a boundary-drawing practice that constructs the nanoengineer as an intrinsically ethical identity. I further assess how the constitutive exclusions of a cultural object taken up within an epistemic community can potentially serve as the starting points for intervention—in this case, a critical pedagogy that posits a “critical nanoengineering” practice.
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