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Outing the Black Feminist Filmmaker in Julie Dash's Illusions

2004; University of Chicago Press; Volume: 30; Issue: 1 Linguagem: Inglês

10.1086/421884

1545-6943

Judylyn S. Ryan,

Music History and Culture

Previous articleNext article No AccessOuting the Black Feminist Filmmaker in Julie Dash's IllusionsJudylyn S. RyanJudylyn S. RyanDepartment of EnglishOhio Wesleyan University Search for more articles by this author Department of EnglishOhio Wesleyan UniversityPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 30, Number 1Autumn 2004Beyond the Gaze: Recent Approaches to Film Feminisms. Special Issue Editors Kathleen McHugh and Vivian Sobchack Article DOIhttps://doi.org/10.1086/421884 Views: 415Total views on this site Citations: 35Citations are reported from Crossref © 2004 by The University of Chicago. All rights reserved.PDF download Crossref reports the following articles citing this article:Tracy L. F. Worley Leadership in the margins, Feminist Media Studies 1 (Nov 2021): 1–17.https://doi.org/10.1080/14680777.2021.1996414Brandale Mills Old Stereotypes Made New: A Textual Analysis on the Tragic Mulatto Stereotype in Contemporary Hollywood, Howard Journal of Communications 30, no.55 (Nov 2018): 411–429.https://doi.org/10.1080/10646175.2018.1512063Michel Chion Reflections on the Sound Object and Reduced Listening, (Jan 2019): 23–32.https://doi.org/10.1215/9781478002536-001John Dack Pierre Schaeffer and the (Recorded) Sound Source, (Jan 2019): 33–52.https://doi.org/10.1215/9781478002536-002Brian Kane The Fluctuating Sound Object, (Jan 2019): 53–70.https://doi.org/10.1215/9781478002536-003James A. Steintrager Listening with Adorno, Again, (Jan 2019): 73–93.https://doi.org/10.1215/9781478002536-004Jonathan Sterne Spectral Objects, (Jan 2019): 94–109.https://doi.org/10.1215/9781478002536-005Rey Chow Listening after “Acousmaticity”, (Jan 2019): 113–129.https://doi.org/10.1215/9781478002536-006Pooja Rangan The Skin of the Voice, (Jan 2019): 130–148.https://doi.org/10.1215/9781478002536-007Veit Erlmann The Acoustic Abject, (Jan 2019): 151–166.https://doi.org/10.1215/9781478002536-008Jairo Moreno, Gavin Steingo The Alluring Objecthood of the Heartbeat, (Jan 2019): 167–184.https://doi.org/10.1215/9781478002536-009Georgina Born On Nonhuman Sound—Sound as Relation, (Jan 2019): 185–207.https://doi.org/10.1215/9781478002536-010John Mowitt The Sound of Arche-Cinema, (Jan 2019): 211–227.https://doi.org/10.1215/9781478002536-011Michael Bull Listening to the Sirens, (Jan 2019): 228–245.https://doi.org/10.1215/9781478002536-012David Toop Entities Inertias Faint Beings, (Jan 2019): 246–264.https://doi.org/10.1215/9781478002536-013 Bibliography, (Jan 2019): 265–280.https://doi.org/10.1215/9781478002536-014James A. Steintrager, Rey Chow Sound Objects, (Jan 2019): 1–19.https://doi.org/10.1215/9781478002536-016Robin Blaetz Introduction, (Jan 2007): 1–19.https://doi.org/10.1215/9780822392088-001Melissa Ragona Swing and Sway, (Jan 2007): 20–44.https://doi.org/10.1215/9780822392088-002Paul Arthur Different/Same/Both/Neither, (Jan 2007): 45–66.https://doi.org/10.1215/9780822392088-003Chris Holmlund Excavating Visual Fields, Layering Auditory Frames, (Jan 2007): 67–88.https://doi.org/10.1215/9780822392088-004Noël Carroll Moving and Moving, (Jan 2007): 89–102.https://doi.org/10.1215/9780822392088-005M. M. Serra, Kathryn Ramey Eye/Body, (Jan 2007): 103–126.https://doi.org/10.1215/9780822392088-006Ara Osterweil “Absently Enchanted”, (Jan 2007): 127–151.https://doi.org/10.1215/9780822392088-007Robert A. Haller Amy Greenfield, (Jan 2007): 152–166.https://doi.org/10.1215/9780822392088-008Chuck Kleinhans Barbara Hammer, (Jan 2007): 167–187.https://doi.org/10.1215/9780822392088-009Maria Pramaggiore Chick Strand's Experimental Ethnography, (Jan 2007): 188–210.https://doi.org/10.1215/9780822392088-010Robin Blaetz Amnesis Time, (Jan 2007): 211–238.https://doi.org/10.1215/9780822392088-011Mary Ann Doane In the Ruins of the Image, (Jan 2007): 239–262.https://doi.org/10.1215/9780822392088-012Maureen Turim Sounds, Intervals, and Startling Images in the Films of Abigail Child, (Jan 2007): 263–289.https://doi.org/10.1215/9780822392088-013William C. Wees Peggy's Playhouse, (Jan 2007): 290–311.https://doi.org/10.1215/9780822392088-014Janet Cutler Su Friedrich, (Jan 2007): 312–338.https://doi.org/10.1215/9780822392088-015Kathleen Mchugh The Experimental “Dunyementary”, (Jan 2007): 339–359.https://doi.org/10.1215/9780822392088-016Scott Macdonald Women's Experimental Cinema, (Jan 2007): 360–382.https://doi.org/10.1215/9780822392088-017 Bibliography, (Jan 2007): 385–400.https://doi.org/10.1215/9780822392088-018