Global Feminisms and the State of Feminist Film Theory
2004; University of Chicago Press; Volume: 30; Issue: 1 Linguagem: Inglês
10.1086/421879
ISSN1545-6943
Autores Tópico(s)Gender Politics and Representation
ResumoPrevious articleNext article No AccessGlobal Feminisms and the State of Feminist Film TheoryE. Ann KaplanE. Ann KaplanHumanities InstituteStony Brook University Search for more articles by this author Humanities InstituteStony Brook UniversityPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 30, Number 1Autumn 2004Beyond the Gaze: Recent Approaches to Film Feminisms. Special Issue Editors Kathleen McHugh and Vivian Sobchack Article DOIhttps://doi.org/10.1086/421879 Views: 635Total views on this site Citations: 18Citations are reported from Crossref © 2004 by The University of Chicago. All rights reserved.PDF download Crossref reports the following articles citing this article:Eva Flicker Filmsoziologie und Feministische Filmtheorie: Film im Gender- und Queer-Diskurs, (Feb 2022): 307–327.https://doi.org/10.1007/978-3-658-10729-1_24Sarah Attfield Gender and Sexualities, (Sep 2020): 123–165.https://doi.org/10.1007/978-3-030-45901-7_5Eva Flicker Filmsoziologie und Feministische Filmtheorie, (Dec 2019): 1–22.https://doi.org/10.1007/978-3-658-10947-9_24-1Eva Flicker Filmsoziologie und Feministische Filmtheorie, (Sep 2020): 1–21.https://doi.org/10.1007/978-3-658-10947-9_24-2Alicia Izharuddin Gender and the Divine Pleasures of the Cinema, (Dec 2016): 1–29.https://doi.org/10.1007/978-981-10-2173-2_1Karen Boyle Not Waving … Agitating?: "Visual Pleasure and Narrative Cinema," The Second Wave, and Me, Feminist Media Studies 15, no.55 (Oct 2015): 885–888.https://doi.org/10.1080/14680777.2015.1075273Souha R. Ezzedeen Portrayals of career women in Hollywood films: implications for the glass ceiling's persistence, Gender in Management: An International Journal 30, no.33 (May 2015): 239–264.https://doi.org/10.1108/GM-07-2013-0073 Introduction, (Jan 2014): 1–26.https://doi.org/10.1215/9780822377030-001 Archives of Pain, (Jan 2014): 27–58.https://doi.org/10.1215/9780822377030-002 Speaking Sex/Speaking Race, (Jan 2014): 59–82.https://doi.org/10.1215/9780822377030-003 Race-Pleasures, (Jan 2014): 83–106.https://doi.org/10.1215/9780822377030-004 Laughing Matters, (Jan 2014): 107–127.https://doi.org/10.1215/9780822377030-005 On Refusal, (Jan 2014): 128–145.https://doi.org/10.1215/9780822377030-006 Conclusion, (Jan 2014): 146–151.https://doi.org/10.1215/9780822377030-007 Notes, (Jan 2014): 153–179.https://doi.org/10.1215/9780822377030-008 Bibliography, (Jan 2014): 181–211.https://doi.org/10.1215/9780822377030-009Jules J. Wanderer Scaling Professional Critics: Men and Women Rate Films, Empirical Studies of the Arts 29, no.22 (Jul 2011): 209–223.https://doi.org/10.2190/EM.29.2.eElora Halim Chowdhury Feminism and its 'other': representing the 'new woman' of Bangladesh, Gender, Place & Culture 17, no.33 (May 2010): 301–318.https://doi.org/10.1080/09663691003737587
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