Blurred Lines — Where Copyright Ends and Cultural Appropriation Begins — The Case of Robin Thicke versus Bridgeport Music, and the Estate of Marvin Gaye
2014; RELX Group (Netherlands); Linguagem: Inglês
ISSN
1556-5068
Autores Tópico(s)Music History and Culture
ResumoThis article covers the copyright theft lawsuit brought by the family of the great soul singer, Marvin Gaye, against singer/songwriters Robin Thicke and Pharrell Williams over their hit, “Blurred Lines”. The case goes to the very heart of how we define what is creative and innovative, the very things that US copyright law is supposed to protect. Courts in the US tend to favor European-influenced melodies over harmonic progressions and African-American influenced rhythms in copyright theft cases. The article explores how this phenomenon has the potential to allow for certain forms of unfair cultural appropriation to take place, and makes some preliminary predictions about the ultimate outcome of the case.Note: Readers and others who download this paper should only use it for nonprofit research and teaching purposes, and give attribution to the author if you quote from it. Contact the author if you prefer other uses.
Referência(s)