"He’s Calling His Flock Now": Black Music and Postcoloniality from Buddy Bolden’s New Orleans to Sefyu’s Paris
2015; University of Illinois Press; Volume: 33; Issue: 3 Linguagem: Inglês
10.5406/americanmusic.33.3.0375
ISSN1945-2349
Autores Tópico(s)Theater, Performance, and Music History
ResumoResearch Article| October 01 2015 "He’s Calling His Flock Now": Black Music and Postcoloniality from Buddy Bolden’s New Orleans to Sefyu’s Paris J. Griffith Rollefson J. Griffith Rollefson Search for other works by this author on: This Site Google American Music (2015) 33 (3): 375–397. https://doi.org/10.5406/americanmusic.33.3.0375 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation J. Griffith Rollefson; "He’s Calling His Flock Now": Black Music and Postcoloniality from Buddy Bolden’s New Orleans to Sefyu’s Paris. American Music 1 January 2015; 33 (3): 375–397. doi: https://doi.org/10.5406/americanmusic.33.3.0375 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2016 by the Board of Trustees of the University of Illinois2016 Article PDF first page preview Close Modal You do not currently have access to this content.
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